Eduarda Neves eduardadn gmail.com
Terça-Feira, 11 de Setembro de 2018 - 19:26:14 WEST

*OPENING: 13.09. 6 PM EXHIBITION: 14.09 to 28.09.2018*

super + CENTERCOURT is hosting HORS-SÉRIE,
an exhibition project curated by Eduarda Neves, presented in several art
spaces, in which the artists work on a site-specificity basis, taking the
exhibition context in consideration. It simultaneously approaches the
polysemic character of the notion HORS-SÉRIE, opening it to its several
meanings that have to do with identity, simulacra, potency, subversion,
resistance, workforce, along with other concepts. HORS-SÉRIE seeks to
establish a dialogue between the fields of art, philosophy and politics.

ARTIST | Sérgio Leitão
CURATOR | Eduarda Neves
WEBSITE | https://hors-serie.weebly.com/

*[A] *Departing from Deleuzian references, through an understanding of the
Identity of the Different as primary potency. To think of identity not as
similitude but as disparity means to reverse Platonism, to affirm the
simulacra, and to assign them their place between icons and copie; place of
subversion that denies original and copy, model and reproduction. It is no
longer about the essence-appearance, copy-model, I-other relations, for
this distinction works in the realm of representation. Neither the model of
the Other nor the search for the origin. It is "of the false as potency,
Pseudos, in Nietzsche’s sense: the highest potency of the false. Rising to
the surface, the simulacrum casts under the power of the false (ghost) the
Same and the Similar, the model and the copy" [1]
wandering has no beginning or end, it is chaos without center, potency of
the simulacrum, destruction of the Same that prevents the perpetuation of
the model. In this sort of Hors-série the march of divergence, of
resistance, of the exceptional, of that which is subtracted from the
regularity of the series but which belongs to it, is established. A
Hors-Série which is pure difference, the difference in itself, which is
opposed to classical representation. The latter submits difference to the
principles of identity and similarity. Now, this pure difference is the
object of thought and not of representation. The Being is regularity and
becoming. The multiple in each of us. The singular as collective.
Difference is repetition and the discovery of all forces. A Meeting.

*[B]* Issues to be addressed : (I) the resistence regarding infamous men’s
life; (II) the escape from language’s representational paradigm. To seek
for “a language without speech”, “an involuntary poetry”, as Michel
Foucault righly remarked. To discover a madness that is not mental illness
and, as this author has equated, one without which we would not know how to
live. Thus, for us, it is also about issues of freedom, of questioning
before all forms of built experience. Hors-Série as an experience of
depersonalization. To overcome thought, penser l´impensé.

*[C] *Hors-Série as a moment of stopping in the serial work, of
unproductiveness of the workforce understood as a form of resistance. The
machines, as bodies in series, spatially organize the production apparatus
and, being configured as workstations, make the individualizing
decomposition of the workforce visible. The factory is, by excellence, the
domain of serial production work and flexibility. Its deactivation asserts
itself, still, politically, as an image of unemployment.

Deleuze – Diferença e Repetição. São Paulo, Ed. Graal.1988, p. 268.

The exhibition project, that will take place in several international
contemporary art spaces, will be presented in a catalogue published in
Portuguese and English. In the scope of the International Meeting A HEAVY
BLOW OF A ROD ACROSS THE FINGERS, a range of issues cross-cutting the
curatorial program will be addressed.
*Copyright ©  super+CENTERCOURT, All rights reserved.*
Adalbertstraße 44
80799 München
info  centercourt.gallery
www.centercourt.gallery I www.superplusstudio.de

an initiative by *super+ **e.V.*

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