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<strong>Convite<br>
<span style="font-size:12px">Rua Passos Manuel, 178, 4º andar</span></strong></div>
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<div style="text-align:center"><span style="font-size:14px"><strong>Abertura <em style="font-size:15px">Opening</em></strong></span><br>
<span style="font-size:15px"><strong>Transpondo ou Galgando | Limamil</strong> <br>
<strong>22.07 (QUI) — 17h Mupi Gallery</strong></span></div>
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<h3 style="display:block;margin:0;padding:0;color:#202020;font-family:Helvetica;font-size:20px;font-style:normal;font-weight:bold;line-height:125%;letter-spacing:normal;text-align:left"><span style="font-size:15px"><strong>Transpondo ou Galgando </strong><br>
Limamil </span><br>
<br>
<span style="font-size:15px"><strong>22.07 — <em>5pm</em><br>
Até <em>Until</em> 08.09</strong></span><br>
<br>
<span style="font-size:14px">Ciclo "Poético ou Político?" / Cycle "<em>Poetic or Political?"</em><br>
Curadoria de / <em>Curated by</em> João Baeta</span><br>
<br>
<span style="font-size:13px">[PT]</span><br>
<span style="font-size:13px">Transpondo ou Galgando – A meta-fotografia de Limamil<br>
<br>
A trilogia exposta consagra um labor artístico que transcende o espaço físico devotado a cada um dos exemplares fotográficos. Os artefactos em causa quer no seu conjunto, bem como individualmente, vinculam a emergência de transpor o espaço a que estão confinados, quase se debatem física e presencialmente com o observador. Há um conceito subjacente a este exercício de Limamil que rompe com as molduras e ousa partir os vidros, como se fosse vital o ganho de um espaço ulterior para a fotografia respirar.<br>
<br>
O impacto visual recepcionado por quem observa cada um dos instantes registados traduz um efeito de jornada processual entre o momento da captação fotográfica e uma acção que sugere uma fuga ao dispositivo tecnológico utilizado. O autor deixa margem de ousadia ao observador para percepcionar a dimensão temporal da circunstância de que resulta o binómio aparentemente paradoxal entre o que é estático e o que se exprime como cinético.<br>
<br>
No domínio da fisicalidade captada pelo agente fotográfico, que aqui assume uma dupla condição de estatuto enquanto actor fotográfico, há algo que impele o indivíduo a uma pulsão explícita: libertar a tensão fotográfica para lá dos limites. <br>
João Arezes<br>
Porto 2021</span><br>
<br>
//<br>
<br>
<span style="font-size:13px">Bio<br>
<br>
O momento mais memorável do seu percurso artístico ocorreu na sua adolescência, quando adquiriu a sua primeira máquina fotográfica, uma Kodak 110, que lhe custou quase 3 semanas de mesada. Desde então, o meio tecnológico da fotografia tornou-se na ferramenta perfeita para todo o desenvolvimento do seu trabalho artístico, sendo ainda hoje a sua ferramenta predileta de investigação. As suas mais recentes produções plásticas apresentadas na exposição intitulada de Transfotografia #01, são igualmente produzidas a partir de uma forte inspiração na técnica, história e conceitos do meio fotográfico. <br>
<br>
Foi docente na ESAP, Escola Superior Artística do Porto, no curso superior de Fotografia. Doutorando em Valência na UPV, em Arte: Producción e investigación.<br>
<br>
Foi professor assistente no ICP – International Center of Photography in New York. Produz documentação fotográfica para instituições públicas e privadas desde 1997. Trabalha na FBAUP, Faculdade de Belas Artes da Universidade do Porto, como técnico superior de fotografia. Desenvolve ainda vários projetos como comissário e artista. O seu trabalho está representado em diversas instituições e colecionadores particulares.</span><br>
<br>
<span style="font-size:12px"><em>--<br>
[EN]<br>
Transposing or crossing over - Limamil's meta-photography<br>
<br>
The exhibited trilogy consecrates an artistic labor that transcends the physical space devoted to each of the photographic images. The artifacts in question, both as a whole and individually, bind the emergence of transposing the space to which they are confined, almost struggling physically and face-to-face with the observer. There is an underlying concept to this exercise by Limamil that breaks with the frames and dares to break glass, as if it were vital to gain an additional space for the photograph to be able to breathe.<br>
<br>
The visual impact received by those who observe each of the recorded instants reflects the effect of a procedural journey between the moment of photographic capture and an action that suggests an escape from the technological device used. The author leaves a margin of daring to the observer to perceive the temporal dimension of the circumstance that results in the apparently paradoxical binomial between what is static and what is expressed as kinetic.<br>
<br>
In the realm of physicality captured by the photographic agent, who hereby assumes a double status as a photographic actor, there is something that impels the individual to an explicit drive: to release photographic tension beyond its limits.<br>
<br>
João Arezes<br>
Porto 2021</em></span><br>
<br>
<br>
<span style="font-size:12px"><em>BIO<br>
The most memorable moment of his artistic journey occurred during his adolescence, when he acquired his first camera, a Kodak 110, which cost him almost 3 weeks of pocket money. Since then, the technological medium of photography has become the perfect tool for all the development of his artistic work, and is still today his favorite research tool. His most recent visual productions presented in the exhibition Transfotografia #01, are also produced from a strong inspiration in technique, history and concepts of the photographic medium.<br>
<br>
He was teacher at ESAP, Escola Superior Artística do Porto, in the photography course. He is now doing a PhD in Valencia at UPV, in Arte: Producción e investigación.<br>
<br>
He was an assistant professor at the ICP - International Center of Photography in New York. He produces photographic documentation for public and private institutions since 1997. He works at FBAUP, Faculdade de Belas Artes da Universidade do Porto, as a photography technician. He also develops several projects as a curator and artist. His work is represented in several institutions and private collectors.</em></span><br>
<br>
<span style="font-size:12px"><em>--</em><br>
Importante: <br>
Seguiremos com as recomendações da DGS e contaremos com a vossa colaboração para aceder aos espaços de exposição sempre com uso de máscara, respeitando as regras de distância de segurança, os cuidados de higiene e à lotação do espaço. <br>
<br>
<em>Important: <br>
We are following the recommendations of the Portuguese Directorate-General of Health and your collaboration is extremely important to access the exhibition spaces. You must always use a mask, keep a safe distance and hygienize your hands care and respect the room capacity.</em></span></h3>
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