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<span style="display:none;font-size:0px;line-height:0px;max-height:0px;max-width:0px;opacity:0;overflow:hidden">artista: Suzana Queiroga</span>
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<strong>Convite</strong><br>
Rua Passos Manuel, 178, 4º andar<br>
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<div style="text-align:center"><span style="font-size:14px"><strong>O Mundo Segue Indiferente a Nós /</strong><em> </em><em>The World Goes Indifferent to Us</em><br>
<strong>curadoria de </strong><em>/ curatorship by</em><strong> Tales Frey</strong><br>
<strong>artista / </strong><em>artist</em>:<strong> Suzana Queiroga</strong></span><br>
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<span style="font-size:13px"><strong>Abertura / </strong><em>Opening</em><strong>: 11.06 (SEX /</strong><em> FRI</em><strong>)<br>
a partir das 15h / </strong><em>after 3pm</em></span><br>
<span style="font-size:13px"><strong> Entrada Livre / </strong><em>Free Entrance</em></span></div>
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<div style="text-align:center"><span style="font-size:13px"><strong>Programa Paralelo/</strong><em> </em><em>Parallel Program</em></span><br>
<strong id="m_8623520141335120699m_723505309684385526docs-internal-guid-65771600-7fff-de38-8a86-d4c248e865af">Em Fluxo </strong>/<span style="font-size:13px"><em>In Flow:</em> <strong>23.06<span class="gmail_default" style="font-family:verdana,sans-serif;font-size:small;color:rgb(68,68,68)">, às 17h,</span> e 21.07<span class="gmail_default" style="font-family:verdana,sans-serif;font-size:small;color:rgb(68,68,68)">, às 21h</span> (QUA/</strong><em> WED</em><strong>)</strong></span><br>
<span style="font-size:11px"><em>Sessões de cinema & Conversa / Film Sessions & Talk </em></span><br>
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<div style="text-align:center"><span style="font-size:12px">Sessão composta por quatro vídeos e uma conversa entre a artista e o curador, apresentando diferentes momentos da trajetória de Suzana Queiroga - desde o seu ingresso na Escola de Artes Visuais do Parque Laje no Rio de Janeiro em 1977 e suas primeiras grandes produções nos anos de 1980 até a atualidade pandêmica de 2020/2021. </span><span style="font-size:11px"><em>Film session consisting of four videos and a conversation between the artist and the curator, with presentation trajectory's Suzana Queiroga's trajectory - since her admission to the School of Visual Arts of Parque Laje in Rio de Janeiro in 1977 and her first major productions in the 1980s to the present pandemic of 2020/2021.<strong> </strong></em></span></div>
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<div style="text-align:left">[PT]</div>
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Ao depurar um processo de criação iniciado em 2020, já em contexto da pandemia do covid-19, a artista luso-brasileira Suzana Queiroga idealizou uma grande instalação (ainda inédita) projetada especialmente para a sala de exposições do Maus Hábitos, extrapolando matrizes bidimensionais para gerar espacialidades e concretizações escultóricas, possibilitando diversos percursos factíveis ou imaginários. <br>
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No ano passado, a artista deu início à série “O Mundo Segue Indiferente a Nós”, explorando inicialmente incisões em papéis para construir formas através de lacunas e, ao sobrepor as tais folhas em camadas, algo novo surgiu no seu decurso, confirmando tópicos já investigados anteriormente com relação aos traçados urbanos e fluxos variados, mas desta vez, captando sobretudo o conceito de tempo e infinito, concedendo visibilidade ao inefável, onde há um raciocínio visual que elucida um tempo que nos direciona a uma maior consciência sobre a nossa efemeridade e, também, sobre a urgência de uma cosmovisão, de uma noção sobre a nossa interdependência de um modo mais globalizado.<br>
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E se é da incisão na matéria que cada trabalho da artista se revela, é igualmente através da suspensão de cada plano recortado que nós podemos compreender possíveis denúncias nas cartografias reveladas nas suas criações de anos atrás, das quais a interferência humana em paisagens durante todo o processo de civilização – pautado na destruição e justificado como progresso – está impregnado. Neste sentido, a trajetória de Suzana Queiroga é continuamente decolonial.<br>
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E, nesta atual fase em que a matéria têxtil proporciona um acesso metafórico a um plano não terreno, a artista expõe o atual e trágico período de crise sanitária que atravessamos, delatando a desigualdade social gerada pelo funcionamento capitalista que hierarquiza vidas e, sobretudo, ao utilizar o feltro (um isolante térmico) como matéria da sua mais nova criação, Suzana comenta a circunstância vigente de isolamento em unidades familiares, espaços compartilhados de moradia, ou domicílios individuais, contudo também narra o permanente risco diante de um vírus que transpõe fronteiras. <br>
<br>
O projeto é uma reflexão sobre a fragilidade e brevidade da nossa existência e, embora destile certo ceticismo, não deixa de apontar caminhos lúdicos e subjetivos para destinos que transcendam a realidade. <br>
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<strong>Tales Frey </strong><br>
<br>
<em>[EN]<br>
<br>
When debugging a creative process started in 2020, already in the context of the covid-19 pandemic, the Portuguese-Brazilian artist Suzana Queiroga idealized a large installation (still unpublished) designed especially for the Maus Hábitos exhibition hall, extrapolating two-dimensional matrices to generate spatialities and sculptural achievements, allowing for various feasible or imaginary paths.<br>
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Last year, the artist started the series “The World Goes Indifferent to Us”, initially exploring incisions on paper to build shapes through gaps and, by superimposing these layers in layers, something new emerged in the course of it, confirming topics already previously investigated in relation to urban routes and varied flows, but this time, mainly capturing the concept of time and infinity, granting visibility to the ineffable, where there is a visual reasoning that elucidates a time that directs us to a greater awareness of our ephemerality and , also, about the urgency of a worldview [Weltanschauung], of a notion about our interdependence in a more globalized way.<br>
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And if it is from the incision in the material that each work of the artist is revealed, it is also through the suspension of each cut out plan that we can understand possible complaints in the cartographies revealed in her creations of years ago, of which human interference in landscapes throughout the The civilization process - based on destruction and justified as progress - is impregnated. In this sense, Suzana Queiroga's trajectory is continuously decolonial.<br>
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And, in this current phase in which the textile material provides metaphorical access to a non-earth plane, the artist exposes the current and tragic period of health crisis that we are going through, denouncing the social inequality generated by the capitalist functioning that hierarchizes lives and, above all, to the using felt (a thermal insulator) as the subject of her newest creation, Suzana comments on the current situation of isolation in family units, shared living spaces, or individual homes, yet she also narrates the permanent risk in the face of a virus that crosses borders.<br>
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The project is a reflection on the fragility and brevity of our existence and, although distilling a certain skepticism, it nevertheless points out ludic and subjective paths towards destinations that transcend reality.<br>
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<strong>Tales Frey</strong></em><br>
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