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<span class="m_8328501223685461632mcnPreviewText" style="display:none;font-size:0px;line-height:0px;max-height:0px;max-width:0px;opacity:0;overflow:hidden">Thiago Martins de Melo e Moacir dos Anjos</span>
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<span style="font-size:16px"><strong>Bárbara Balaclava | <em>16.06, às 15 horas</em></strong></span><br>
Conversa com o artista Thiago Martins de Melo e o curador Moacir dos Anjos
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<p style="margin:10px 0;padding:0;color:#202020;font-family:Helvetica;font-size:16px;line-height:150%;text-align:left"><strong>Brasil: uma “curta” com 4000 pinturas para falar de opressão</strong><br>
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"Cerca de quatro mil pinturas transformadas em curta-metragem chegam esta quinta-feira, 14 de Junho, ao <a href="https://www.maushabitos.com/" style="color:#2baadf;font-weight:normal;text-decoration:none" target="_blank">Maus Hábitos</a>, no Porto.<em> Bárbara Balaclava</em> é o nome do filme de 14 minutos produzido por Thiago Martins de Melo, pintor brasileiro, sob a curadoria de Moacir dos Anjos, investigador da Fundação Joaquim Nabuco, no Recife. O filme foi montado a partir da técnica de <em>stop motion, </em>com recurso a pinturas a óleo, acrílico e aguarela, e <a href="https://www.maushabitos.com/events/180614-thiago-martins-de-melo-barbara-balaclava/" style="color:#2baadf;font-weight:normal;text-decoration:none" target="_blank">vai estar em exposição</a> até 29 de Julho, no âmbito do programa Emergência.</p>
<p style="margin:10px 0;padding:0;color:#202020;font-family:Helvetica;font-size:16px;line-height:150%;text-align:left">Criado em 2016,<em> Bárbara Balaclava </em>foca-se nas questões de dominação, conflito e confronto da história do Brasil, procurando retratar os abusos contra as populações de origem indígena e negra do país. O criador da obra, que autorizou o P3 a publicar este excerto, explica que “o filme trata uma luta ancestral entre as populações tradicionais e o desenvolvimento, ao mesmo tempo que estabelece uma relação com o Xamanismo — procura compreendê-lo e compreender também a luta através das tradições espirituais da região amazónica.”<br>
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por Mariana Durães, P3<br>
<br>
+ info<br>
<a href="http://p3.publico.pt/cultura/filmes/26258/brasil-uma-curta-com-4000-pinturas-para-falar-de-opressao" style="color:#2baadf;font-weight:normal;text-decoration:none" target="_blank">http://p3.publico.pt/cultura/<wbr>filmes/26258/brasil-uma-curta-<wbr>com-4000-pinturas-para-falar-<wbr>de-opressao</a><br>
</p>
<span style="font-size:10px">Biografias:<br>
Thiago Martins de Melo nasceu em São Luis do Maranhão em 1981, onde vive e trabalha. O artista participou de diversas exposições institucionais, tais como: such as Queermuseu - Cartografias da diferença na América Latina, Santander Cultural, Porto Alegre (2017); 6° Prêmio Marcantonio Vilaça, MuBE – Museu Brasileiro da Escultura e Ecologia, São Paulo (2017); Soft Power. Arte Brasil, Kunsthal Kade, Amersfoort (2016); Dakar Biennale, Dakar, (2016); Histórias da Infância, MASP, Museu de Arte de São Paulo, São Paulo (2016); Entre-temps... Brusquement, et ensuite, 12e Biennale de Lyon, Lyon (2013); Imagine Brazil, Astrup Fearnley Museet, Oslo (2013); Convite à Viagem – Rumos Artes Visuais, Paço Imperial, Rio de Janeiro (2012); To be with art is all we ask, Astrup Fearnley Museet, Oslo (2012); Dos Percursos e das Poesias, Museu de Arte Contemporânea do Ceará, Fortaleza (2012).<br>
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Moacir dos Anjos é pesquisador da Fundação Joaquim Nabuco, no Recife, onde coordena, desde 2009, o projeto de exposições Política da Arte. Foi diretor do Museu de Arte Moderna Aloísio Magalhães - MAMAM (2001-2006), Recife, e pesquisador visitante no centro de pesquisa TrAIN – Transnational Art, Identity and Nation, University of the Arts London (2008-2009). Foi curador do pavilhão brasileiro (Artur Barrio) na 54ª Bienal de Veneza (2011), curador da 29ª Bienal de São Paulo (2010), co-curador da 6ª Bienal do Mercosul, Porto Alegre (2007), e curador do 30º Panorama da Arte Brasileira, Museu de Arte Moderna (2007), São Paulo. Foi curador das mostras coletiva Cães sem Plumas (2014), no MAMAM, A Queda do Céu (2015), no Paço das Artes, São Paulo, Adornos do Brasil Indígena – Resistências Contemporâneas (2016), no SESC Pinheiros, São Paulo, e Emergência (2017), no Galpão Bela Maré, Rio de Janeiro. Foi também curador de exposições retrospectivas dos trabalhos de Cao Guimarães (2013), no Itaú Cultural, e de Jac Leirner (2011), na Estação Pinacoteca, ambas em São Paulo. Publica regularmente em revistas acadêmicas e catálogos de exposição. É autor, entre outros, dos livros Local/Global. Arte em Trânsito (Zahar, 2005), ArteBra Crítica (Automátia, 2010) e Contraditório (Cobogó, 2017), além de editor de Pertença, Caderno_SESC_Videobrasil 8, São Paulo (SESC/Videobrasil, 2012).</span><br>
<br>
Até <em>Until</em><br>
<strong>29.07</strong></div>
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