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<title>Inaugura amanhã / Opening tomorrow 16:00: Self-service, Fernando J. Ribeiro</title>
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Sismógrafo: <em>Self-service, </em>Fernando J. Ribeiro
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<br>
<span style="color: #662D91;font-family: arial;letter-spacing: 1px;line-height: 1.6em;text-align: center;">Artista / Artist </span><br>
<span style="color:#662d91; font-family:arial; font-size:14px; letter-spacing:1px; text-align:center">Fernando J. Ribeiro</span><br>
<span style="color: #662D91;font-family: arial;font-size: 14px;letter-spacing: 1px;line-height: 1.6em;text-align: center;">Curador / Curator<br>
<span style="font-family:arial; font-size:14px; letter-spacing:1px; text-align:center">Óscar Faria<br>
<br>
<span style="color: #662D91;font-family: arial;font-size: 14px;letter-spacing: 1px;line-height: 1.6em;text-align: center;">Inauguração / Opening<br>
18 Jan 16:00<br>
até / until 15 Fev / Feb<br>
qui a sáb, thu to sat <br>
16:00–19:30</span></span></span>
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<div style="text-align: left;"><span p="" style="color:#662d91; font-family:arial; font-size:110px; letter-spacing:2px; line-height:100px">Self-<br>
service</span><br>
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<span style="color:#662d91; font-family:arial; font-size:10px; letter-spacing:1px; text-align:center">[PORTUGUÊS]</span></div>
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<span style="color:#662d91; font-family:arial; letter-spacing:1px; line-height:20px">O que é uma imagem? O que pode uma imagem? A partir destas questões, Fernando J. Ribeiro tem vindo a realizar um corpo de trabalho onde coloca em evidência os processos de sujeição do indivíduo, <a href="http://sismografo.us3.list-manage1.com/track/click?u=ab4eb899b20a1f87e612121f6&id=4c3f809e5c&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">que impedem a subjectivação produtora de uma vida enquanto obra de arte</a>.<br>
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Em <em><a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=b80cccfdb2&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">Self-service</a>,</em> exposição que é inaugurada este sábado no Sismógrafo, o artista toma como referente o universo visual da moda, tentando, através da <a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=6b430f4ad9&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">apropriação</a> de uma série de instantâneos publicitários, devolver-nos as ruínas dos objectos de desejo produzidos nesse contexto.<br>
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Os procedimentos usados por Fernando J. Ribeiro têm sobretudo como objectivo demonstrar os <a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=d65ba0ada5&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">paradoxos</a> inerentes à relação com as imagens que nos rodeiam. Ao esforço de as tentarmos incorporar corresponde a vontade de delas nos distanciarmos: nunca alcançamos a <a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=f5b681c507&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">plena satisfação</a>, pois a cada instante <a href="http://sismografo.us3.list-manage1.com/track/click?u=ab4eb899b20a1f87e612121f6&id=6557998912&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">novos estímulos</a> nos distraem de um passado recente.<br>
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O artista revela uma série de trabalhos – fotografias e esculturas – que foram sujeitas a procedimentos de diverso tipo. Perfurar, cortar, amarrotar, copiar são gestos repetidos no âmbito da exposição. Há como que uma tentativa de tocar os <a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=425d98e4fc&e=0046895fa6" target="_blank" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">mecanismos de alienação</a> inerentes a cada uma das representações apropriadas.<br>
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Podemos assim observar como um obsessivo acto de obliterar uma imagem se confunde com a <a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=3762f2afad&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">ideia de fest</a><a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=901cd7004a&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">a </a>ou, num outro exemplo, como se capta a essência de um anúncio através de um processo de degradação e <a href="http://sismografo.us3.list-manage2.com/track/click?u=ab4eb899b20a1f87e612121f6&id=40f9cf6099&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">ampliação</a> da página onde este se inscreve. Neste caso, o referente acaba por se perder, pois, ao ser encandeado por um flash fotográfico, um reconhecido acto de violência, a imagem acaba por ganhar uma outra dimensão, mais corpórea, como que <a href="http://sismografo.us3.list-manage2.com/track/click?u=ab4eb899b20a1f87e612121f6&id=44e9a99a9d&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">ressuscitando</a> de entre os modelos celebrados pelo artifício publicitário.</span>
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<span style="color:#662d91; font-family:arial; letter-spacing:1px; line-height:20px"><span style="color:#662d91; font-family:arial; font-size:10px; letter-spacing:1px; text-align:center">[ENGLISH]</span></span></div>
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<span style="color:#662d91; font-family:arial; letter-spacing:1px; line-height:20px">What's an image? What's the power of an image? It's based on these issues that Fernando J. Ribeiro has been creating a body of work that highlights the processes of subjection of the individual, <a href="http://sismografo.us3.list-manage2.com/track/click?u=ab4eb899b20a1f87e612121f6&id=a7c516e3c0&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">which</a><a href="http://sismografo.us3.list-manage1.com/track/click?u=ab4eb899b20a1f87e612121f6&id=d6299bcf4c&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;"> prevent the subjectivation that produces life as a work of art</a>.<br>
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In <em><a href="http://sismografo.us3.list-manage1.com/track/click?u=ab4eb899b20a1f87e612121f6&id=3e7f288039&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">Self-Service</a>,</em> exhibition that opens this Saturday at Sismógrafo, the artist takes as a reference the visual universe of fashion and tries, through the <a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=8a0c5abc0e&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">appropriation</a> of advertisement snapshots, to give us back the ruins of the objects of desire produced in that context.<br>
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The procedures used by Fernando J. Ribeiro have as a goal to show the <a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=82b52ef4ef&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">paradoxes</a> intrinsic to the relation with the images surrounding us. To our effort of trying to incorporate them corresponds the will to hold off from them: we never achieve <a href="http://sismografo.us3.list-manage1.com/track/click?u=ab4eb899b20a1f87e612121f6&id=943a14cdf5&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">complete satisfaction</a>, because every instant <a href="http://sismografo.us3.list-manage1.com/track/click?u=ab4eb899b20a1f87e612121f6&id=010235cfc4&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">new stimuli</a> distract us from a recent past.<br>
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The artist shows a series of works – photographs and sculptures – that went through procedures of several kinds. Punching, cutting, crumpling, copying are repeated actions in the exhibitions. There is somehow an attempt at touching the <a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=439140c46b&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">alienating mechanisms</a> underlying each of the appropriated representations.<br>
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We can thus observe how an obsessive act of obliterating an image can be mistaken with the <a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=670ecf7b98&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">idea of party</a> or, in another example, how the essence of an advert is captured through a process of degradation and <a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=95254b1418&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">enlargement</a> of the page in which it is inscribed. In this case, the referent ends up lost because, by being dazzled with a photo flash, a renown act of violence, the image ends up gaining another dimension, more corporeal, as if <a href="http://sismografo.us3.list-manage.com/track/click?u=ab4eb899b20a1f87e612121f6&id=8a7be81783&e=0046895fa6" target="_self" style="word-wrap: break-word;-ms-text-size-adjust: 100%;-webkit-text-size-adjust: 100%;color: #db4b27;font-weight: normal;text-decoration: underline;">resurrecting</a> from among the models celebrated by the advertising artifice.</span>
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<span style="color:#662d91; font-family:arial; letter-spacing:1px; line-height:20px"><span style="color:#db4b27; font-family:arial; letter-spacing:1px; line-height:20px"><span style="font-family:arial; font-size:10px; letter-spacing:1px; text-align:center">BREVEMENTE / UPCOMING</span></span></span><br>
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<div style="text-align: center;"><span style="font-family:arial; letter-spacing:1px; line-height:20px"><span style="color:#db4b27; font-family:arial; letter-spacing:1px; line-height:20px">21–22 Fev/Feb: Thierry Simões (leituras / readings)<br>
28 Fev/Feb: Tetuzi Akyiama (concerto / concert)<br>
8 Mar–5 Abr/Apr: Sebastião Resende (exposição / exhibition) </span></span></div>
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