<br><div class="gmail_quote"><div><div></div><div class="h5"><div class="gmail_quote"><div><div><div class="gmail_quote"><div class="gmail_quote"><div class="gmail_quote"><div><div><div class="gmail_quote"><div><div><div class="gmail_quote">
<div><div><div><b><span style="background: black none repeat scroll 0% 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; font-size: 16pt; color: white;">petit THINK TANK</span></b><span style="font-size: 16pt; color: white;"> </span>
<p class="MsoNormal" style="background: black none repeat scroll 0% 0%; -moz-background-clip: -moz-initial; -moz-background-origin: -moz-initial; -moz-background-inline-policy: -moz-initial; line-height: normal;"><b><span style="font-size: 16pt; color: white;">_exhibiting as going public</span></b></p>
<p class="MsoNormal" style="line-height: normal;"><b><span style="font-size: 12pt; color: red;">_4 Dec 09 from: 15 / 17
pm [friday] _Oporto</span></b></p>
<p class="MsoNormal" style="line-height: normal;"><b><span style="font-size: 12pt; color: red;"><br></span></b></p>
</div></div><div><div class="gmail_quote"><p class="MsoNormal" style="line-height: 150%;"><b><span><a href="http://petitcabanon.org/" target="_blank">petit CABANON</a></span></b><span>
proposes a two hour conversation revolving around notions of public, exhibiting
and publishing. The send-off is the contribution of <b>Doreen Mende</b>, the editor of <b><a href="http://www.displayer-hfg.de/" target="_blank">Displayer 03<span style="font-weight: normal;">
</span></a></b>[a magazine with contributors as Charles Jencks, Walter
Benjamin, Alfred Barr, Ines Katenhusen, Omer Fast, Hans Hollein, Dominique
Gonzalez- Foerster, Ines Weizman, Moritz Küng, Giorgio Grassi and edited with the
students of Program Exhibition Design and Curatorial Practice / Hochschule
für Gestaltung / ZKM Karlsruhe]. We invited <b>Susana Caló</b>, a philosopher and editor of <a href="http://www.revistadetritos.com/" target="_blank">Detritos Magazine,</a> to respond and to
expand on the interceptions of going public: the </span><span>politics of space and the public domain.<span> </span>The c</span><span>onversation will proceed with <b>Gabriela V. Pinheiro</b>, an artist whose
work is devoted to notions of public and exhibiting and hopefully engage in an
intimate debate with the audience. A filmed book realized by <b>Filipa
César</b> - <span>Displayer 03 - </span>is to
be screened as part of the conversation.</span></p><div><p class="MsoNormal" style="line-height: 150%;"><span><br></span></p><div>
<p class="MsoNormal" style="line-height: normal;"><b><span style="color: rgb(51, 51, 51);">Guests</span></b><span style="color: rgb(51, 51, 51);">: </span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><b><span>Doreen Mende</span></b><span>,
curator and editor based in Berlin</span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span>[Academy Expanded and Expanded Exhibition]</span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span><br></span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><b><span>Susana Caló</span></b><span>,
philosopher and editor based in Oporto<br>
<span>[Expanding]</span></span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="color: rgb(51, 51, 51);"> </span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><b><span>Gabriela V. Pinheiro</span></b><span>,
artist based in Oporto<br>
<span>[The Public]</span></span></p><p class="MsoNormal" style="margin-bottom: 0.0001pt;"><br><span><span></span></span></p>
</div><p class="MsoNormal" style="line-height: normal;"><span style="font-size: 10pt;"><div>[the conversation will be held in English
and is kindly hosted by <a href="http://www.reflexus.net/index.php?type=Contact" target="_blank"><b><span style="color: windowtext;">REFLEXUS</span></b><span style="color: windowtext;">
arte contemporânea</span></a>]<br><br>
rua de miguel bombarda 531,
4050-383 Oporto, Portugal</div></span></p><div>
<p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;"><span style="font-size: 10pt;">[Displayer is the magazine of the “Program Exhibition
Design and Curatorial Practice” Hochschule für Gestaltung / ZKM Karlsruhe]</span></p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;"><br></p>
<p class="MsoNormal" style="line-height: normal;"><span style="font-size: 10pt;">++++++++++++++++++++++</span></p>
</div><p class="MsoNormal" style="line-height: normal;"><span><b><span style="font-size: 10pt;">organization
</span></b></span><span><span style="font-size: 10pt;">_</span></span><span style="font-size: 10pt;"></span></p><div>
<p class="MsoNormal" style="line-height: normal;"><b><span style="font-size: 10pt;"><a href="http://petitcabanon.org/" target="_blank"><span style="color: windowtext;">petit THINK TANKs are part of
petit CABANON</span></a></span></b><span style="font-size: 10pt;"></span></p>
<p class="MsoNormal" style="line-height: normal;"><span style="font-size: 10pt;">a project by <b>Inês Moreira</b> since 2007</span></p>
<p class="MsoNormal" style="line-height: normal;"><span style="font-size: 10pt;">this <b>petit THINK TANK </b>has the
support of Reflexus, JUP and FBAUP</span></p>
<p class="MsoNormal" style="line-height: normal;"><span style="font-size: 10pt; color: rgb(64, 64, 64);"><span> </span></span>
</p><p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;"><span style="font-size: 10pt;">++++++++++++++++++++++</span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt; line-height: normal;"><span style="font-size: 10pt;"> </span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 10pt; line-height: 115%; color: rgb(64, 64, 64);"><span> </span>“<i>The requirement
to exhibit the final product is something we can view in the framework of the
capitalist system, along the lines that an employer who has made an investment
now needs to see a result. These relationships are reproduced in the
collaboration among artists, curators, and directors who have invested in a
work in an institutional framework. The exhibiting institution, being the last
link in the chain of this market transaction, needs a visible, tangible result:
a product</i>.” (Milica Tomic, Politics of Memory, <b>Displayer 03</b>).</span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 10pt; line-height: 115%; color: rgb(64, 64, 64);"> </span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 10pt; line-height: 115%; color: rgb(64, 64, 64);">While an academy is an environment which does not request a
‘finished’ product, the space of exhibition depends on something to be shown to
a public. The conversation will be based on the project Displayer, which is a
publication series of the program Exhibition Design and Curatorial Practice at
the University of Arts and Design / ZKM Karlsruhe. Displayer is a magazine of
original sound. The editorial team is the students of the seminars of the
University’s program.</span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 10pt; line-height: 115%; color: rgb(64, 64, 64);"> </span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 10pt; line-height: 115%; color: rgb(64, 64, 64);">The points of departure for the most recent issue, <b>Displayer
03 </b>(2009) are the demands, the challenges, and the potentialities as well
as the impossibilities of exhibiting space itself. Space is the fabric in which
events occur, and events, in turn activate space culturally, socially,
politically and geographically. Hence, the exhibition of space is strongly
connected to performative acts in addition to questions about the requirements
of constructions in space.</span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 10pt; line-height: 115%; color: rgb(64, 64, 64);"> </span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 10pt; line-height: 115%; color: rgb(64, 64, 64);">In which way can a publication be
understood as a space for exhibiting? Under which demands as well as urgencies
does a publication expand the conditions of an academy? And for <a href="http://www.displayer-hfg.de/" target="_blank"><b><span style="color: rgb(64, 64, 64);">Displayer 03</span></b><span style="color: rgb(64, 64, 64); text-decoration: none;">: </span></a>What are the means of recording space in
order to perform it at different times, in different places and different institutional
settings?</span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 10pt; line-height: 115%; color: rgb(64, 64, 64);"> </span></p>
<p class="MsoNormal" style="margin-bottom: 0.0001pt;"><span style="font-size: 10pt; line-height: 115%; color: rgb(64, 64, 64);">Contributions <b>Displayer 03</b> by Eva Kraus, Tilo Schulz,
Martin Beck, Charles Jencks, Pablo Bronstein, Katrin Mayer, Stefan Römer,
Walter Benjamin, Alfred Barr, Ines Katenhusen, Milica Tomic, Omer Fast, Sina
Najafi, Hans Hollein, Joseph Dabernig, Achim Lengerer, Paul Gangloff, Dominique
Gonzalez- Foerster, Ines Weizman, Moritz Küng, Kersten Geers, Giorgio Grassi,
Guillaume Paoli, Heiner Mühlmann, Stephan Trüby, Wilfried Kuehn. <b>Filipa
César</b> realized <b>Displayer 03 </b>as a filmed book which is part of the
discussion.</span></p>
<p></p></div></div></div><div><br><br>ines moreira<br><br>architect _ researcher _ curator <br>PhD candidate Goldsmiths College, Univ. London<br>[+351] 93 475 80 04<br><a href="http://www.petitcabanon.org" target="_blank">www.petitcabanon.org</a><br>
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