<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><br><div><div style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; "><o:smarttagtype namespaceuri="urn:schemas-microsoft-com:office:smarttags" name="PersonName" downloadurl="http://www.microsoft.com"><div class="Section1"><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><strong><b><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; ">NO ANO DE ABERTURA DO MUSEU DO CÔA</span></font></b></strong><strong><b><font color="navy" face="Arial Narrow"><span style="font-family: 'Arial Narrow'; color: navy; "><o:p></o:p></span></font></b></strong></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; "><br>Propomo-nos recordar o mistério do nascimento da arte e reflectir, ao mesmo tempo, sobre o carácter enigmático da sua condição contemporânea. Será um encontro entre a arte da «Pré-historia» e a arte contemporânea, também chamada «Pós-histórica», enquanto limiares da própria História da Arte. Situando-se, respectivamente, antes do conceito de “arte”, e num depois das suas certezas, ambas suscitam uma indagação fundamental em torno da natureza e do significado da arte. Para reflectir sobre a origem e os destinos da arte e homenagear a arte do Côa (Património Mundial da Humanidade) reúnem-se, neste ciclo de conferências, arqueólogos e historiadores da arte, especialistas da estética e da teoria da arte, e ainda estudiosos da linguagem, da imagem e da cultura visual.</span></font><font color="black"><span style="color: black; "><o:p></o:p></span></font></div><div style="text-align: center; text-indent: 35.4pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; "><o:p> </o:p></span></font></div><div style="text-align: center; text-indent: 35.4pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="1" color="black" face="Arial Narrow"><span style="font-size: 8pt; font-family: 'Arial Narrow'; color: black; ">UMA INICIATIVA DO CENTRO DE ESTUDOS DE COMUNICAÇÃO E LINGUAGENS (CECL), CO-ORGANIZADA PELO IGESPAR / MC<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="2" color="navy" face="Arial"><span style="font-size: 10pt; font-family: Arial; color: navy; font-weight: bold; "><o:p> </o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="2" color="navy" face="Arial"><span style="font-size: 10pt; font-family: Arial; color: navy; font-weight: bold; "><o:p> </o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="2" color="black" face="Arial Narrow"><span style="font-size: 10pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; ">PROGRAMA DETALHADO</span></font></b><b><font size="2" face="Arial Narrow"><span style="font-size: 10pt; font-family: 'Arial Narrow'; font-variant: small-caps; font-weight: bold; "><o:p></o:p></span></font></b></div><div style="text-align: center; line-height: 150%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; line-height: 150%; font-family: 'Arial Narrow'; font-style: italic; "><o:p> </o:p></span></font></i></div><div style="text-align: center; line-height: 150%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; line-height: 150%; font-family: 'Arial Narrow'; font-style: italic; ">4 de Maio<o:p></o:p></span></font></i></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; ">Sessão de Abertura<o:p></o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; ">Ministro da Cultura (a confirmar)<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; ">Subdirector do IGESPAR<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; ">Presidente do CECL<o:p></o:p></span></font></div><div style="text-align: center; line-height: 150%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" face="Arial Narrow"><span style="font-size: 12pt; line-height: 150%; font-family: 'Arial Narrow'; "><o:p> </o:p></span></font></div><div style="text-align: center; line-height: 130%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" face="Arial Narrow"><span style="font-size: 11pt; line-height: 130%; font-family: 'Arial Narrow'; ">Moderador<font color="navy"><span style="color: navy; ">a</span></font>: Maria <st1:personname w:st="on">Teresa Cruz</st1:personname> (CECL, UNL)<o:p></o:p></span></font></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-weight: bold; ">José Jiménez<o:p></o:p></span></font></b></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" face="Arial Narrow"><span style="font-size: 10pt; font-family: 'Arial Narrow'; ">(<font color="black"><span style="color: black; ">Univ. Autónoma de Madrid; Director-Geral das Belas Artes, Espanha)</span></font><o:p></o:p></span></font></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-style: italic; ">As raízes da arte<o:p></o:p></span></font></i></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-weight: bold; ">Mario Perniola<o:p></o:p></span></font></b></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" face="Arial Narrow"><span style="font-size: 10pt; font-family: 'Arial Narrow'; ">(Universidade de Roma Tor Vergata)<o:p></o:p></span></font></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-style: italic; ">Arte, Vida e Meio. Ou o Sex-appeal do inorgânico no Vale do Côa.<o:p></o:p></span></font></i></div><div style="text-align: center; line-height: 150%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" face="Arial Narrow"><span style="font-size: 12pt; line-height: 150%; font-family: 'Arial Narrow'; "><o:p> </o:p></span></font></div><div style="text-align: center; line-height: 150%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; line-height: 150%; font-family: 'Arial Narrow'; font-style: italic; ">11 de Maio<o:p></o:p></span></font></i></div><div style="text-align: center; line-height: 130%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" face="Arial Narrow"><span style="font-size: 11pt; line-height: 130%; font-family: 'Arial Narrow'; ">Moderador<font color="navy"><span style="color: navy; ">a</span></font>: Margarida Medeiros (CECL, UNL)<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-weight: bold; ">Domingo Hernandez<o:p></o:p></span></font></b></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" face="Arial Narrow"><span style="font-size: 10pt; font-family: 'Arial Narrow'; ">(Universidade de Salamanca)<o:p></o:p></span></font></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-style: italic; ">Arte e Imagem</span></font></i><b><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-weight: bold; "><o:p></o:p></span></font></b></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><st1:personname w:st="on"><b><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-weight: bold; ">Martin Kemp</span></font></b></st1:personname><b><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-weight: bold; "><o:p></o:p></span></font></b></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" face="Arial Narrow"><span style="font-size: 10pt; font-family: 'Arial Narrow'; ">(Universidade de Oxford )<o:p></o:p></span></font></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-style: italic; ">Cultura Visual<o:p></o:p></span></font></i></div><div style="text-align: center; text-indent: 35.45pt; line-height: 150%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; line-height: 150%; font-family: 'Arial Narrow'; font-style: italic; "><o:p> </o:p></span></font></i></div><div style="text-align: center; line-height: 150%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; line-height: 150%; font-family: 'Arial Narrow'; font-style: italic; ">18 de Maio<o:p></o:p></span></font></i></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><i><font size="3" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; font-weight: bold; font-style: italic; ">Sessão comemoratia do Dia Internacional dos Museus<o:p></o:p></span></font></i></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; ">Moderadora: <st1:personname w:st="on">Lúcia Gonçalves</st1:personname> </span></font><font size="2" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; ">(MC)<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; ">Alexandra Cerveira Pinto (Directora do PAVC)<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; ">Camilo Rebelo e Tiago Pimentel (Autores do Projecto Arquitectónico do Museu do Côa)<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" face="Arial"><span style="font-size: 12pt; font-family: Arial; "><o:p> </o:p></span></font></div><div style="text-align: center; line-height: 130%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" face="Arial Narrow"><span style="font-size: 11pt; line-height: 130%; font-family: 'Arial Narrow'; ">Moderador: Fernando Cascais (CECL, UNL)<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-weight: bold; ">António Martinho Baptista<o:p></o:p></span></font></b></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" face="Arial Narrow"><span lang="FR" style="font-size: 10pt; font-family: 'Arial Narrow'; ">(Parque Arqueoçógico do Vale do Côa)<o:p></o:p></span></font></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-style: italic; ">A arte do Vale do Côa<o:p></o:p></span></font></i></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><st1:personname w:st="on"><b><font size="4" face="Arial Narrow"><span lang="FR" style="font-size: 13pt; font-family: 'Arial Narrow'; font-weight: bold; ">Gilles Tiberghien</span></font></b></st1:personname><b><font size="4" face="Arial Narrow"><span lang="FR" style="font-size: 13pt; font-family: 'Arial Narrow'; font-weight: bold; "><o:p></o:p></span></font></b></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" face="Arial Narrow"><span lang="FR" style="font-size: 10pt; font-family: 'Arial Narrow'; ">(Universidade de Paris I, Sorbonne)<o:p></o:p></span></font></div><div style="text-align: center; text-indent: 35.45pt; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-style: italic; ">Natureza, arte contemporânea, formas arcaicas<o:p></o:p></span></font></i></div><div style="text-align: center; text-indent: 35.45pt; line-height: 150%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" face="Arial Narrow"><span style="font-size: 12pt; line-height: 150%; font-family: 'Arial Narrow'; "><o:p> </o:p></span></font></div><div style="text-align: center; line-height: 150%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; line-height: 150%; font-family: 'Arial Narrow'; font-style: italic; ">25 de Maio<o:p></o:p></span></font></i></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><i><font size="3" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; font-weight: bold; font-style: italic; ">Sessão de Encerramento<o:p></o:p></span></font></i></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; ">Secretária de Estado da Cultura (a confirmar)<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; ">Director do IGESPAR<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="3" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; font-weight: bold; "><o:p> </o:p></span></font></b></div><div style="text-align: center; line-height: 130%; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" face="Arial Narrow"><span style="font-size: 11pt; line-height: 130%; font-family: 'Arial Narrow'; ">Moderador<font color="navy"><span style="color: navy; ">a</span></font>: <st1:personname w:st="on">Maria Augusta Babo</st1:personname> (CECL, UNL)<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="2" face="Arial Narrow"><span lang="FR" style="font-size: 11pt; font-family: 'Arial Narrow'; font-weight: bold; ">Anne-Marie Christin</span></font></b><b><font size="4" face="Arial Narrow"><span lang="FR" style="font-size: 13pt; font-family: 'Arial Narrow'; font-weight: bold; "><o:p></o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" face="Arial Narrow"><span lang="FR" style="font-size: 10pt; font-family: 'Arial Narrow'; ">(Universidade de Paris VII, Centre d'Étude de l'Écriture)<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-style: italic; ">Legível /Visível<o:p></o:p></span></font></i></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-weight: bold; ">João Zilhão<o:p></o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" face="Arial Narrow"><span style="font-size: 10pt; font-family: 'Arial Narrow'; ">(Universidade de Bristol)<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><i><font size="4" face="Arial Narrow"><span style="font-size: 13pt; font-family: 'Arial Narrow'; font-style: italic; ">As origens do pensamento simbólico<o:p></o:p></span></font></i></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="2" color="navy" face="Arial"><span style="font-size: 10pt; font-family: Arial; color: navy; font-weight: bold; "><o:p> </o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="navy" face="Arial"><span style="font-size: 10pt; font-family: Arial; color: navy; "><o:p> </o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="navy" face="Arial"><span style="font-size: 10pt; font-family: Arial; color: navy; "><o:p> </o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="navy" face="Arial"><span style="font-size: 10pt; font-family: Arial; color: navy; "><o:p> </o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; ">CONFERENCISTAS<o:p></o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; "><o:p> </o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; ">José Jiménez</span></font></b><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; "><o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; "> Professor na Universidade Autónoma de Madrid (Catedrático de Estética e Teoria da Arte), e Director-Geral das Belas Artes e Bens Culturais do Instituto Cervantes, Madrid. Autor de : </span></font><em><i><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">La Estetica como utopia antropológica, </span></font></i></em><em><i><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-style: normal; ">2003; Teoría del arte,</span></font></i></em><em><i><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">Tecnos, </span></font></i></em><em><i><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-style: normal; ">2002</span></font></i></em><font face="Arial"><span lang="ES" style="font-family: Arial; "> </span></font><font face="Arial"><span style="font-family: Arial; ">; </span></font><em><i><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">A vida como acaso, </span></font></i></em><em><i><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-style: normal; ">1997; </span></font></i></em><em><i><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">Imagenes del hombre: fundamentos de la estética, </span></font></i></em><em><i><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-style: normal; ">1992; </span></font></i></em><em><i><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">El Angel Caído: la imagem artística del angel en el mundo contemporâneo, Barcelona, </span></font></i></em><em><i><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-style: normal; ">1982.</span></font></i></em><em><i><font face="Times New Roman"><span lang="ES"><o:p></o:p></span></font></i></em></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="3" face="Times New Roman"><span style="font-size: 12pt; font-weight: bold; "><o:p> </o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; ">Mario Perniola<o:p></o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">Professor de Estética, na Universidade de Roma "Tor Vergata". <i><span style="font-style: italic; ">Professor</span></i> visitante em França, Dinamarca, Canadá, Brasil, Japão e Estados Unidos da América. Dirigiu os jornais «Agaragar» (1971-1973), «Clinamen» (1988-1992), «Estetica News» (1988-1995) e «Ágalma. Rivista di studi culturali e di estetica» (desde 2000). Autor de. <i><span style="font-style: italic; ">A arte e a sua sombra</span></i>, Assirio & Alvim, 2006; <i><span style="font-style: italic; ">Contra a comunicação</span></i>, Teorema, 2005; <i><span style="font-style: italic; ">O sex appeal do inorgânico</span></i>, Ariadne Editora, 2004; <i><span style="font-style: italic; ">Ritual Thinking: Sexuality, Death, World</span></i>, Amherst (USA), Humanity Books, 2000; <i><span style="font-style: italic; ">A estética do século XX</span></i>, Editorial Estampa 1998; <i><span style="font-style: italic; ">Enigmas. O momento egípcio na sociedade e na arte</span></i>, Bertrand Editora, 1994. <i><span style="font-style: italic; ">Dopo Heidegger. Filosofia e organizzazione della cultura</span></i>, Feltrinelli, 1982.<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; "><o:p> </o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; ">Domingo Hernandez<o:p></o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">Professor na Universidade de Salamanca (Catedrático de Estética). Autor de : </span></font><i><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-style: italic; ">El humor objetivo y la inversión de lo sublime</span></font></i><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">, Gran Canaria Espacio Digital, 2006; <em><i><font face="Arial Narrow"><span style="font-family: 'Arial Narrow'; ">Hegel, G.W.F., Filosofía del arte o Estética, </span></font></i></em>Madrid, Abada, 2005; <em><i><font face="Arial Narrow"><span style="font-family: 'Arial Narrow'; ">Arte, cuerpo, tecnología, </span></font></i></em>Ediciones Universidad de Salamanca, 2003; Ortega y Gasset, José, <em><i><font face="Arial Narrow"><span style="font-family: 'Arial Narrow'; ">La rebelión de las masas</span></font></i></em><em><i><font face="Arial Narrow"><span style="font-family: 'Arial Narrow'; font-style: normal; ">. </span></font></i></em></span></font><em><i><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-style: normal; ">(Edição, introdução, notas e anexos por</span></font></i></em><em><i><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; "> </span></font></i></em><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">Domingo Hernández) Madrid: Tecnos (Los Esenciales de la Filosofía), 2003.<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; "><o:p> </o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><st1:personname w:st="on"><b><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; ">Martin Kemp</span></font></b></st1:personname><b><font color="black" face="Arial Narrow"><span style="font-family: 'Arial Narrow'; color: black; font-weight: bold; "><o:p></o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">Professor Jubilado de História da Arte da Universidade de Oxford. Director do projeto <i><span style="font-style: italic; ">The Universal Leonardo</span></i>, que compreende diversas exposições e eventos na Europa. </span></font><font size="2" color="black" face="Arial Narrow"><span lang="EN-GB" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">Co-organizador de <i><span style="font-style: italic; ">The Oxford History of Western Art</span></i> Autor e autor de: <i><span style="font-style: italic; ">Leonardo da Vinci: The Marvellous Works of Nature and Man</span></i>, Oxford University Press, 2007; <i><span style="font-style: italic; ">Seen /Unseen: Art, Science, and Intuition</span></i>, Oxford University Press, USA, 2006; <i><span style="font-style: italic; ">Leonardo da Vinci: Experience, Experiment, and Design</span></i>, Princeton University Press, 2006; <i><span style="font-style: italic; ">Leonardo</span></i>, Oxford University Press, USA, 2005; <i><span style="font-style: italic; ">Visualizations: The Nature Book of Art and Science</span></i>, University of California Press, 2001.<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="2" color="black" face="Arial Narrow"><span lang="EN-GB" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; "><o:p> </o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; ">António Martinho Baptista<o:p></o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; ">Director do Centro Nacional de Arte Rupestre entre 1997 e 2007, foi também professor convidado de Arte Pré e Proto-Histórica da Universidade do Minho. É actualmente Assessor Principal do Parque Arqueológico do Vale do Côa e Membro do Comité Internacional de Arte Rupestre do ICOMOS e autor de inúmeros artigos sobre arte pré-histórica . Principais livros publicados: Rocha F-155 e a Origem da Arte do Vale do Tejo (1981); No Tempo sem Tempo. A arte dos caçadores paleolíticos do Vale do Côa (1999); O Paradigma Perdido. O Vale do Côa e a Arte Paleolítica de Ar Livre em Portugal (2009).<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; "><o:p> </o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; ">Gilles A. Tiberghien<o:p></o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">Filósofo, especialista em Estética e <i><span style="font-style: italic; ">Maître de Conférences</span></i> na Universidade de Paris I, Sorbonne. </span></font><font size="2" color="black" face="Arial Narrow"><span lang="FR" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">Membro do comité de Redacção dos Cahiers<i><span style="font-style: italic; "> du Musée d'Art Moderne</span></i> e dos <i><span style="font-style: italic; ">Carnets du Paysage</span></i>. Autor de : <i><span style="font-style: italic; ">Land Art Travelling</span></i>, collection 222, ERBA (École Régionale des Beaux-Arts de <a href="http://fr.wikipedia.org/wiki/Valence_(Drôme)" title="Valence (Drôme)" style="color: blue; text-decoration: underline; "><font color="black"><span style="color: black; text-decoration: none; ">Valence</span></font></a>), 1996 ; <i><span style="font-style: italic; ">Land Art , </span></i>éditions Carré ; <i><span style="font-style: italic; ">La nature dans l'art, sous le regard de la photographie, </span></i>numéro 99 de la collection Photo poche, réédité par Actes Sud en 2004 ; <i><span style="font-style: italic; "><a href="http://fr.wikipedia.org/wiki/Patrick_Tosani" title="Patrick Tosani" style="color: blue; text-decoration: underline; "><font color="black"><span style="color: black; text-decoration: none; ">Patrick Tosani</span></font></a>, </span></i>Hazan, 1997<em><i><font face="Arial Narrow"><span style="font-family: 'Arial Narrow'; ">; Le principe de l’axolotl & suppléments, </span></font></i></em></span></font><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; "><a href="http://fr.wikipedia.org/wiki/Actes_Sud" title="Actes Sud" style="color: blue; text-decoration: underline; "><font color="black"><span lang="FR" style="color: black; text-decoration: none; ">Actes Sud</span></font></a></span></font><font size="2" color="black" face="Arial Narrow"><span lang="FR" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">, 1998 ; <i><span style="font-style: italic; ">Nature, art, paysage, </span></i>Actes Sud / E.N.S.P., 2001<i><span style="font-style: italic; "> </span></i>; <i><span style="font-style: italic; ">Amitier, </span></i>Desclée de Brouwer, 2002, <i><span style="font-style: italic; ">Notes sur la Nature,</span></i>la cabane et quelques autres choses, Le Félin, 2005 ; </span></font><i><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-style: italic; "><a href="http://fr.wikipedia.org/wiki/Emmanuel_Hocquard" title="Emmanuel Hocquard" style="color: blue; text-decoration: underline; "><font color="black"><span lang="FR" style="color: black; text-decoration: none; ">Emmanuel Hocquard</span></font></a></span></font></i><i><font size="2" color="black" face="Arial Narrow"><span lang="FR" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-style: italic; ">, « Poètes d’aujourd’hui » </span></font></i><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; "><a href="http://fr.wikipedia.org/wiki/Seghers" title="Seghers" style="color: blue; text-decoration: underline; "><font color="black"><span lang="FR" style="color: black; text-decoration: none; ">Seghers</span></font></a></span></font><font size="2" color="black" face="Arial Narrow"><span lang="FR" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">, 2006 ; <i><span style="font-style: italic; ">Svayambh </span></i></span></font><i><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-style: italic; "><a href="http://fr.wikipedia.org/wiki/Anish_Kapoor" title="Anish Kapoor" style="color: blue; text-decoration: underline; "><font color="black"><span lang="FR" style="color: black; text-decoration: none; ">Anish Kapoor</span></font></a></span></font></i><i><font size="2" color="black" face="Arial Narrow"><span lang="FR" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-style: italic; ">, </span></font></i><font size="2" color="black" face="Arial Narrow"><span lang="FR" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">éditions Fage, 2007 ; <i><span style="font-style: italic; ">Finis Terrae : Imaginaires et imaginations cartographiques, </span></i></span></font><font size="2" color="black" face="Arial Narrow"><span style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; "><a href="http://fr.wikipedia.org/wiki/Bayard_presse" title="Bayard presse" style="color: blue; text-decoration: underline; "><font color="black"><span lang="FR" style="color: black; text-decoration: none; ">Bayard</span></font></a></span></font><font size="2" color="black" face="Arial Narrow"><span lang="FR" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">, 2007.<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="black" face="Arial Narrow"><span lang="FR" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; "><o:p> </o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; ">Anne-Marie Christin<o:p></o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; ">Professora na Universidade de Paris VII, onde fundou o <i><span style="font-style: italic; ">Centre d'étude de l'écriture</span></i>. A sua área de especialidade é a história da linguagem e dos sistemas<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="black" face="Arial Narrow"><span lang="FR" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">de escrita. Autora de : <i><span style="font-style: italic; ">L'Ecriture réinventée: Formes visuelles de l'écrit en Occident et en Extrême-Orient</span></i>, Les Indes savantes, 2008. (obra colectiva) ; <i><span style="font-style: italic; ">Langue, lecture et école au Japon</span></i>, Editions Philippe Picquier, 2006. (obra colectiva); <i><span style="font-style: italic; ">L'écriture du nom propre</span></i>, Flammarion, 2003; <i><span style="font-style: italic; ">A History of Writing: From Hieroglyph to Mulimedia</span></i>, Flammarion, 2002; <i><span style="font-style: italic; ">L'écriture du nom propre</span></i>, L'Harmattan, 2000 ; <i><span style="font-style: italic; ">L'image écrite, ou La déraison graphique</span></i>, Flammarion, 1999 ; <i><span style="font-style: italic; ">Écritures</span></i>, Le Sycomore, 1985; <i><span style="font-style: italic; ">Fromentin, conteur d'espace</span></i>, Minerve, 1982.<o:p></o:p></span></font></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="2" color="black" face="Arial Narrow"><span lang="FR" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; "><o:p> </o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><b><font size="3" color="black" face="Arial Narrow"><span style="font-size: 12pt; font-family: 'Arial Narrow'; color: black; font-weight: bold; ">João Zilhão<o:p></o:p></span></font></b></div><div style="text-align: center; margin-top: 0cm; margin-right: 0cm; margin-left: 0cm; margin-bottom: 0.0001pt; font-size: 12pt; font-family: 'Times New Roman'; "><font size="2" color="black" face="Arial Narrow"><span lang="ES" style="font-size: 11pt; font-family: 'Arial Narrow'; color: black; ">Professor de Arqueología do Paleolítico na Universidade de Bristol, tendo ensinado anteriormente nas universidades de Lisboa, Paris I e Bordéus I. IEm Janeiro de 1996, foi nomeado pelo governo português para criar o Parque Arqueológico do Vale do Côa, para coordenar a investigação científica conducente ao estabelecimento da cronología da arte rupestre do Vale do Côa e preparar a candidatura do sítio à classificação de Património Mundial da Humanidade (Dezembro de 1998). Entre Maio de 1997 e Maio de 2002 criou e dirigiu o Instituto Português de Arqueologia (IPA). Em 1998, dirigiu a escavação de Lagar Velho (Portugal) e, em 2004-2005, as escavações de Peştera cu Oase (Romania), sitio dos mais antigos homens modernos da Europa. Em 2003, recebeu o Humboldt Foundation Research Award , em reconhecimento de “contribuíos no domínio do ensino e da investigação.” Em 2005, recebeu o London Prehistoric Society’s Europa Prize, em reconhecimento do seu “contributo significativo e consistente para o estudo da Europa Pré-Histórica. É autor de inúmeros estudos e artigos na área da Arqueologia, de relevo nacional e internacional.</span></font></div></div></o:smarttagtype></div></div></body></html>