[ARENA] Reminder: xCoAx 2021 Call for papers, artworks, performances

Terça-Feira, 5 de Janeiro de 2021 - 14:20:33 WET

xCoAx 2021, July 12-16

xCoAx 2021: 9th International Conference on Computation, Communication, Aesthetics and X
Dates: 12-16 July 2021
Location: Online

Website: http://xcoax.org/ <http://xcoax.org/>
Deadline: 31 January 2021

xCoAx is an exploration of the intersection where computational tools and media meet art and culture, in the form of a multi-disciplinary enquiry on aesthetics, computation, communication and the elusive X factor that connects them all.

The focus of xCoAx is on the unpredictable overlaps between the freedom of creativity and the rules of algorithms, between human nature and machine technology, with the aim to evolve towards new directions in aesthetics.

xCoAx has been an occasion for international audiences to meet and exchange ideas, in search for interdisciplinary synergies among computer scientists, artists, media practitioners, and theoreticians at the thresholds between digital arts and culture. Starting in 2013 in Bergamo, xCoAx has so far taken place also in Porto, Glasgow, Lisbon, Madrid, and Milan.

Due to the CoViD-19 pandemic, xCoAx 2020 was online and, building on that experience, so will be the 2021 edition.

xCoAx 2021’s keynote speakers are philosopher of technology Yuk Hui and new media artist Špela Petrič.

Call for papers, artworks, performances
xCoAx 2021 calls for papers, artworks, performances and research works-in-progress by scholars, artists, performers and students, respectively, working on any of the multi-disciplinary facets of this event, which will take place online from Monday, July 12th to Friday, July 16th 2021.

Topics
You are invited to submit theoretical, practical or experimental research work in the form of papers, artworks, and performances, on a range of topics that includes but is not limited to the following:

Computation
Communication
Aesthetics
X
Algorithms / Systems / Models
Artificial Aesthetics
Artificial Intelligence / Creativity
Audiovisuals / Multimodality
Design
Interaction
Games
Generative Art / Design
History
Mechatronics / Physical Computing
Music / Sound Art
Performance
Philosophy of Art / of Computation
Technology / Ethics / Epistemology
Important dates
Submission deadline: January 31
Notifications to authors: March 29
Registration deadline for authors: April 12
Delivery of final versions of papers and artwork/performances/symposium abstracts for the proceedings: April 12
Delivery of final versions of multimedia files and video presentations for the website: May 10
Welcome and opening: July 12
Doctoral symposium: July 13
Discussions of artworks and performances: July 14
Discussions of papers: July 15 & 16
Closing party: July 16
Submission categories
Papers
Please submit a paper (3.000 to 6.000 words, excluding references) following the formatting in the Word template at http://xcoax.org/xCoAx_2021_Paper_Template.docx <http://xcoax.org/xCoAx_2021_Paper_Template.docx>
Revision of papers will be double-blind. Please make sure that the PDF file is completely anonymised (i.e. omits author-related information in the body of text or as explicit self-citations, notes and bibliography). Accepted papers will be published in the conference proceedings and a 15-minute presentation video by the authors will be published on the xCoAx 2021 website.

Doctoral Symposium Abstracts
Only Master’s and PhD students can apply to present their work-in-progress and receive feedback from established researchers. Submit a document, following the formatting in the Word template at http://xcoax.org/xCoAx_2021_DoctoralSymposium_Template.docx <http://xcoax.org/xCoAx_2021_DoctoralSymposium_Template.docx>, comprised of a research paper and a letter of support from your advisor (700 to 2.000 words, excluding references) that should include the following: 1) Purpose of the research and its importance to the field; 2) Brief survey of background and related work; 3) Description of the proposed approach; 4) Expected contributions; 5) Progress towards goals.

Revision of proposals will be single-blind. A revised version will be requested for inclusion in the proceedings after the symposium. Previous xCoAx Doctoral Symposia were chaired by Frieder Nake, Mario Klingemann, Philip Galanter, Simona Chiodo and Marko Ciciliani. The Doctoral Symposium will take place online and it will be a closed event.

Artworks
Proposals should provide a clear description of the work (in case of online artworks possibly a link to the artwork itself) in the form of a document including the following:

An abstract of maximum 200 words
A main text of 700 to 2.000 words (excluding references)
An appendix with technical details of the artwork
Another appendix with references to multimedia material on the artwork
The document must follow the formatting in the Word template at http://xcoax.org/xCoAx_2021_Artwork_Performance_Template.docx <http://xcoax.org/xCoAx_2021_Artwork_Performance_Template.docx>
Revision of proposals will be single-blind.

Due to the pandemic, there will not be an on-site exhibition at xCoAx 2021. As such, on top of the reviews from the Scientific Committee, the Organising Committee will favour works that are optimised for an online exhibition setting, either through pre-recorded documentation or as networked or browser-based works, as well as works that are internet-aware or use the internet as resource or theme.

For all accepted works, the abstract and the main text will be published in the proceedings; the abstract and selected multimedia materials will be published on a dedicated page in the xCoAx 2021 website.

After notification of acceptance, artists will need to provide a 5-minute video presentation that will be included in their artwork’s page. The video is necessary for their entry to be included in the proceedings and on the website.

Performances
Proposals should provide a clear description of the performance in the form of a document including the following:

An abstract of maximum 200 words
A main text of 700 to 2.000 words (excluding references)
An appendix with technical details of the artwork
Another appendix with references to multimedia material documentation on the performance
The submission document must follow the formatting in the Word template at

http://xcoax.org/xCoAx_2021_Artwork_Performance_Template.docx <http://xcoax.org/xCoAx_2021_Artwork_Performance_Template.docx>
Revision of proposals will be single-blind.

Due to the pandemic, there will not be on-site performances at xCoAx 2021. Pre-recorded performances are welcome, however, on top of the reviews from the Scientific Committee, the Organising Committee will favour live-streamed performances, networked performances, browser-based performances, and performances that are internet-aware and use the internet as resource or theme.

For all accepted works, the abstract and the main text will be published in the proceedings; the abstract and selected multimedia materials will be published on a dedicated page in the xCoAx 2021 website.

After notification of acceptance, artists will need to provide a 5-minute video presentation that will be included in their performance’s page. The video is necessary for their entry to be included in the proceedings and on the website.

Additional information and submission details
All works must be submitted via EasyChair: https://easychair.org/conferences/?conf=xcoax2021 <https://easychair.org/conferences/?conf=xcoax2021>
Submissions must be original and will be rigorously reviewed by an international and multidisciplinary scientific committee, in a process that will assess originality, relevance, artistic and technical achievements;
Submissions should be presented as .pdf files with all the media files embedded or linked to online resources;
Final versions for publication should be delivered in .docx with all the images and other media files attached as independent files;
All images and media assets must be cleared for publication by the authors;
At least one of the authors of each selected contribution must register to the conference before the first author registration deadline in order for the work to be published in the proceedings;
xCoAx’s working language is English;
xCoAx’s conference proceedings (with ISBN) will be published online with free access;
Please contact the program chairs at info  xcoax.org <mailto:info  xcoax.org> with any questions regarding submissions.
Conference format
Monday July 12: Opening Session, opening of the exhibition and performances, proceedings launch, welcome online party.
Tuesday July 13: Doctoral Symposium, opening of paper section
Wednesday July 14: Artworks and performances presentations
Thursday July 15: Paper sessions with Q&A, keynote with Q&A
Friday July 16: Paper sessions with Q&A, keynote with Q&A, closing party
Registration
For each accepted submission, one author will have to register as below before April 12. Registrations will open after the notifications of the reviews (March 29, 2021).

Author registration: € 100.
Reduced registration: € 25 (for authors without academic affiliation).
Doctoral symposium: € 25.
Attendance to xCoAx 2021 is free and does not require registration.

Scientific committee
Adriana Sá, ESAD/CICANT
Alessandro Ludovico, Winchester School of Art, University of Southampton / Neural
Alice Cannava, Technische Universität Berlin
Alice Eldridge, University of Sussex
André Rangel, CITAR / i2ADS / Faculty of Fine Arts, University of Porto
Andreas Broeckmann, Leuphana Arts Program, Lüneburg
Andreas Muxel, Faculty of Design at University of Applied Sciences Augsburg
Andreas Zingerle, Department of Linguistic, Literary and Aesthetic Studies, University of Bergen
Anna Terzaroli, Nicola Sala Conservatory of Music
Anne Balsamo, University of Texas at Dallas
Anneké Pettican, Department Lead Art & Communication, University of Huddersfield
Anna-Luise Lorenz
Astrid Drechsler, Sound Design, FH Joanneum, University of Applied Sciences
Aura Satz, Royal College of Art
Boris Debackere, V2 / Luca School of Arts
Carlos Guedes, New York University Abu Dhabi
Chara Lewis, Manchester School of Art, Manchester Metropolitan University
Christian Faubel, Academy of Media Arts Cologne
Cristina Sá, CITAR / Portuguese Catholic University, School of Arts
Dale MacDonald, University of Texas at Dallas
Daniele Pozzi, Institute of Electronic Music and Acoustics, University of Music and Performing Arts, Graz
Daniel Irrgang, Weizenbaum Institute / Berlin University of the Arts
Daniel Schorno, STEIM
Daphne Dragona, Transmediale
Darko Velazquez
Diemo Schwarz, IRCAM
Darko Velazquez, Bauhaus Form + Function Lab, Bauhaus-Universität Weimar
David Pirrò, Institute of Electronic Music and Acoustics, University of Music and Performing Arts, Graz
Filipe Pais, Ensadlab, Ensad, Paris
Francisco Cardoso Lima, Independent Artist, Aveiro
Frieder Nake, University of Bremen & Hochschule für Künste Bremen
Gerhard Nierhaus, University of Music and Performing Arts Graz
Hanns Holger Rutz, Institute of Electronic Music and Acoustics, University of Music and Performing Arts, Graz
Heitor Alvelos, ID+ / Faculty of Fine Arts, University of Porto
Irina Spicaka, CC4AV
João Cordeiro, CITAR / University of West London
Jason Reizner, Bauhaus-Universität Weimar
Ji Youn Kang, The Royal Conservatoire in The Hague
Johannes Zmölnig, University of Music and Performing Arts Graz
Jon He, Massey University
Jon McCormack, Monash University
Kristin Mojsiewicz, Edinburgh College of Art, University of Edinburgh
Laura Beloff, School of Arts, Design and Architecture, Aalto University
Luc Döbereiner, Institute of Electronic Music and Acoustics, University of Music and Performing Arts, Graz
Linda Kronman, University of Bergen
Luísa Ribas, CIEBA / Faculty of Fine Arts, University of Lisbon
Manuela Naveau, Ars Electronica
Marko Ciciliani, Institute of Electronic Music and Acoustics at the University of Music and Performing Arts Graz
Mario Verdicchio, Università degli Studi di Bergamo
Martin Kaltenbrunner, Kunstuniversität Linz
Martin Rumori, sonible GmbH
Max Hampshire, Independent Researcher & Artist
Miguel Carvalhais, INESC TEC / i2ADS / Faculty of Fine Arts, University of Porto
Michael Markert, Hochschule Coburg
Mitchell Whitelaw, College of Arts and Social Sciences, Australian National University
Mona Kasra, University of Virginia
Monty Adkins, University of Huddersfield
Nathan Wolek, Stetson University
Nora Al-Badri
Nuno N. Correia, University of Greenwich
Patrícia João Reis, University of Applied Arts Vienna, Austria, Department of Digital Arts
Paulo Ferreira Lopes, IMG - University of Applied Sciences Mainz
Pedro Cardoso, INESC TEC / Faculty of Fine Arts, University of Porto
Penousal Machado, University of Coimbra
Philip Galanter, Texas A&M University
Ricardo Melo, CEOS.PP / Polytechnic of Porto. Porto Accounting and Business School
Robert Höldrich, University of Music and Performing Arts Graz
Rodrigo Hernández-Ramírez, UNIDCOM / Instituto de Arte, Design e Empresa (IADE)
Ron Kuivila, Wesleyan University
Rosemary Lee, IT-University Copenhagen
Rui Penha, ESMAE / INESC TEC
Rui Torres, Electronic Literature Organization / Faculty of Human and Social Sciences, University Fernando Pessoa, Porto
Samuel Van Ransbeeck, UCP-CITAR
Sissel Marie Tonn
Sophie-Carolin Wagner, Austrian National Library / RIAT
Shusha Niederberguer, House of Electronic Arts Basel
Søren Pold, School of Communication and Culture, Aarhus University
Tim Boykett, Time's Up
Thor Magnusson, University of Sussex / ixi audio
Trent Kim, University of the West of Scotland
Valentina Nisi, University of Madeira
Valentina Vuksic, Zurich University of the Arts
Valerie Wolf Gang
Veronika Mayer, Freelance Artist and Lecturer
Victoria Bradbury, University of North Carolina, Asheville
Visda Goudarzi, School of Media Arts at Columbia College Chicago
Winnie Soon, Department of Digital Design at Aarhus University
Yucef Merhi, Open Doc Lab, Massachusetts Institute of Technology
Organizing committee
André Rangel, CITAR
Daniele Pozzi, Institute of Electronic Music and Acoustics, University of Music and Performing Arts Graz
David Pirrò, Institute of Electronic Music and Acoustics, University of Music and Performing Arts Graz
Hanns Holger Rutz, Institute of Electronic Music and Acoustics, University of Music and Performing Arts Graz
Jason Reizner, Bauhaus-Universität Weimar
Luís Nunes, i2ADS / Faculty of Fine Arts, University of Porto
Luísa Ribas, CIEBA / Faculty of Fine Arts, University of Lisbon
Mario Verdicchio, Università degli Studi di Bergamo
Miguel Carvalhais, INESC TEC / i2ADS / Faculty of Fine Arts, University of Porto
Contacts
info  xcoax.org <https://mailto:info@xcoax.org/>
http://xcoax.org <http://xcoax.org/>
https://twitter.com/xcoaxorg <https://twitter.com/xcoaxorg>
https://www.instagram.com/xcoaxorg/ <https://www.instagram.com/xcoaxorg/>
 <http://www.twitter.com/>
 <http://www.facebook.com/>
 <http://mailchimp.com/>

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