[ARENA] Fwd: DEADLINE EXTENDED - Jan 18th - Consciousness Reframed 2019

Sexta-Feira, 4 de Janeiro de 2019 - 14:15:07 WET


> Begin forwarded message:
> 
> From: cr2019 <cr2019  porto.ucp.pt>
> Subject: DEADLINE EXTENDED - Jan 18th - Consciousness Reframed 2019
> Date: 4 Jan 2019 13:15:30 WET
> To: Cristina Sá <csa  porto.ucp.pt>
> 
> ---- Sorry for crossposting---
> ---- Please divulge among your contacts----
> 
> 
> 
> EXTENDED DEADLINE JAN 18
> 
> 
> 
> 
> CFP: The 21st International
> Consciousness Reframed
>  Conference (2019)
> 
> 
> 
> 
> http://artes.porto.ucp.pt/en/consciousnessreframed <http://artes.porto.ucp.pt/en/consciousnessreframed>
>  <>cr2019  porto.ucp.pt <mailto:cr2019  porto.ucp.pt>
> 
> 
> CITAR-Research Center for Science and Technology of the Arts is pleased to announce the
>  21st International Consciousness Reframed
>  Conference, to be held at Universidade
>  Católica Portuguesa - Porto <http://www.porto.ucp.pt/en>, from June 6-8, 2019.
> 
> Titled «Sentient
>  States: Bio-mind and Techno-nature»,
> Consciousness Reframed is a forum
>  for trans-disciplinary inquiry into art, science, technology, and consciousness, drawing upon the expertise and insights of artists, designers, architects, performers, musicians, writers, scientists, and scholars, from many countries.
> Consciousness Reframed conferences
>  have taken place in Australia, Austria, China, England, Egypt, Germany, Greece, Norway, Portugal, and Wales.
> 
> Topics for the 2019
> Consciousness Reframed
>  Conference
> 
> The conference will look at the nature of artificial thought, and forms of intelligence
>  in nature - charted through aspects of transdisciplinary creative practice and theory in our planetary culture.
> 
> Just as new paradigms of feeling and communication are beginning to form around our interaction
>  with life at all levels of our perception, from plants and trees to fungi and bacteria, we may see matter as inhabited mind, media as necessarily moist, and technology as a tool of the Tao.
> 
> Thought is spreading through all our systems, places and products. We need cities  that
>  are not only smart but sensitive: schools that think, roads that remember, buildings that feel. art that is as much extra-sensory as interpersonal.
> 
> Our consciousness is both reframing and reforming.
> 
> About the Conference Hosts
> 
> CITAR (http://citar.artes.porto.ucp.pt/en/ <http://citar.artes.porto.ucp.pt/en/>)
>  is committed to the development of artistic research informed by practices and concepts inscribed in human-driven impulses of our postdigital era, the challenges and possibilities of the digital arts and humanities, in tandem with the complexity of analogue
>  art forms and technologies. Pressing issues in the digital and traditional arts and humanities have stimulated our commitment to inquiries and goals articulated in four focus-based areas: Sound and Music, New Media Art, Cinema and Cinematic Art, and Heritage
>  and Conservation-Restoration.
> 
> Portuguese Catholic University - Porto (http://www.porto.ucp.pt/en <http://www.porto.ucp.pt/en>)
> 
> Planetary Collegium (https://en.wikipedia.org/wiki/Planetary_Collegium <https://en.wikipedia.org/wiki/Planetary_Collegium>)
> 
> 
> Acceptance Policy
> 
> Submissions will be done using EasyChair: (https://easychair.org/conferences/?conf=cr2019 <https://easychair.org/conferences/?conf=cr2019>).
> 
> We will accept proposals for:
> Paper (15 mins - a presentation of a single paper by one or more authors - 500 word abstract).
> 
> 
> Panel or Roundtable (45 mins - a proposal for a complete panel or group presentation on the same general topic
>  - 250 word overview plus 500 word individual abstracts).
> 
> 
> Installation (provide description of installation, as well as technical needs - 500 word abstract)
> 
> 
> Once your abstract is accepted, and you register for the conference, your communication
>  will appear in the Conference Program and your abstract will be published in the Book of Abstracts.
> 
> If you intend to have your full paper published, you should send a full version of it by
>  the end of February. Proceedings of the Consciousness Reframed conference will be published in
> Technoetic
>  Arts Journal of Speculative Research <https://www.intellectbooks.co.uk/journals/view-Journal,id=142/>. The best 10 papers will be invited to publish in
> CITARJ - Journal of Science and Technology
>  of the Arts <http://artes.ucp.pt/citarj/>. The organizing committee will send you detailed information about this process once your abstract is accepted.
> 
> For the Installations, the host will provide basic technological needs such as Internet,
>  projectors, power cords, sound systems, and cables. Specific and/or specialized equipment needs should be provided by the artists. We are not responsible for shipping costs.
> 
> 
> Calendar
> 
> 
> Submissions open
> 
> Submission of Abstracts for Conference closes at midnight (HAST) on January 18, 2019. Review
>  will follow a peer-review process, using EasyChair.
> 
> Acceptances sent out: January 30th, 2019.
> 
> Registration: Early registration will close March 15th, 2019.
> 
> English is the official language of the conference. All submissions should be written in
>  English.
> 
> Presenters must attend to be part of the conference or festival program.
> 
> Authors can submit as many proposals as they want, but a maximum of two will be accepted
>  for presentation.
> 
> Submissions are done using easychair:
> https://easychair.org/conferences/?conf=cr2019 <https://easychair.org/conferences/?conf=cr2019>
> 
> Organizing Committee
> 
> André Baltazar – CITAR, School of Arts, Universidade Católica Portuguesa - Porto
> 
> André Sier - Artist, Guest lecturer at UÉvora and FBAUL, PhD student Planetary Collegium.
> https://andre-sier.com <https://andre-sier.com/>
>   
> 
> António Cerveira Pinto - Artist, writer, curator, consultant and cultural programmer
> 
> Cristina Sá - CITAR, School of Arts, Universidade Católica Portuguesa - Porto
> www.cristinasa.net <http://www.cristinasa.net/>
> Roy Ascott - President of the Planetary Collegium, director of Consciousness Reframed Conferences
> 
> Rui Torres - University Fernando Pessoa. www.telepoesis.net <http://www.telepoesis.net/>
> 
> Scientific Committee
> 
> Alexandra Saum-Pascual (University of California Berkeley, USA)
> Álvaro Seiça (University of Bergen, Norway; UCLA, USA)
> Ana Marques (Center for Portuguese Literature, University of Coimbra, Portugal)
> André Baltazar (Universidade Católica Portuguesa, Portugal)
> André Perrotta (Universidade Católica Portuguesa, Portugal)
> André Rangel (Universidade do Porto, Universidade Católica Portuguesa, Portugal)
> António Sousa Dias (Faculdade de Belas Artes, Universidade de Lisboa, Portugal)
> Carlos Caires (University of Saint Joseph, Macau - China)
> Carlos Guedes (New York University Abu Dhabi, UAE)
> Christa Sommerer (University of Art and Design, Linz, Austria )
> Christopher T. Funkhouser (New Jersey Institute of Technology, USA)
> Claudia Jacques (Westchester Community College, SUNY, USA; Bronx Community College, CUNY,
>  USA; UCLA, USA)
> Claudia Westermann (Xi'an Jiaotong-Liverpool University, China)
> Clarissa Ribeiro (Universidade de Fortaleza, Brazil)
> Cristina Sá (Universidade Católica Portuguesa, Portugal)
> Dalila Honorato (Ionian University, Greece)
> Daniela Maduro (Center for Portuguese Literature, University of Coimbra, Portugal)
> Davin Heckman (Winona State University, USA)
> Diogo Marques (Universidade Fernando Pessoa, Portugal)
> Elif Ayiter ( Sabancı University, Turkey)
> Filipe Pais (Ensadlab, France; Noroff University, Norway)
> Friedrich W. Block (Brückner-Kühner-Foundation; Kunsttempel Gallery, Germany)
> Giovanna di Rosario (Polythecnic of Milan, Italy)
> Guto Nóbrega (Universidade Federal do Rio de Janeiro, Brazil)
> Heitor Alvelos (Universidade do Porto, Portugal)
> James Gimzewski (UCLA, USA)
> Jane Grant (University of Plymouth, UK)
> Jo Wei (Central Academy of Fine Arts CAFA,  China)
> Johannah Rodgers (Independent Scholar, USA)
> Jorge Cardoso (Universidade de Coimbra, Portugal)
> Jörgen Schäfer (University of Siegen, Germany)
> Joseph Tabbi (University of Illinois at Chicago, USA)
> Karla Brunet (Universidade Federal da Bahía, Brazil)
> Katerina Karoussos (University of Plymouth, UK)
> Katy High (Rensselaer Polytechnic Institute, USA)
> Laura Beloff (IT-University of Copenhagen, DK/FI)
> Luis Eduardo Luna (Director of Wasiwaska, Brazil)
> Luís Sarmento (Universidade Católica Portuguesa, Portugal)
> Luis Teixeira (Universidade Católica Portuguesa, Portugal)
> Manuela Naveau (University of Art and Industrial Design, Linz; Donauuniversity, Krems; Paris-Lodron-Universität,
>  Salzburg, Austria)
> Maria Manuela Lopes (Universidade de Aveiro, Portugal)
> María Mencía (Kingston University, UK)
> Marta de Menezes (Ectopia, Cultivamos Cultura, Portugal)
> Miguel Carvalhais (Universidade do Porto, Portugal)
> Mike Phillips (University of Plymouth, UK)
> Mónica Mendes (Universidade de Lisboa, Portugal)
> Patrícia Gouveia (Universidade de Lisboa, Portugal)
> Pau Alsina (Universitat Oberta de Catalunya, Spain)
> Pau Waelder (Universitat Oberta de Catalunya, Espanha)
> Pedro Cardoso (Universidade do Porto, Portugal)
> Pedro Pestana (Universidade Católica Portuguesa, Portugal)
> Rui Penha (INESC-TEC, Portugal)
> Rui Torres (Universidade Fernando Pessoa, Portugal)
> Sahra Kunz (Universidade Católica Portuguesa, Portugal)
> Thomas S. Ray (University of Oklahoma, USA)
> Victoria Vesna (UCLA, USA)
> 
> 
> 
> Keynote Speakers
> 
> 
> Laura Beloff
>  - IT University of Copenhagen, DK/FI
> 
> Marta de Menezes
>  - Artist, Cultivamos Cultura, PT
> 
> Roy Ascott
> - President of the Planetary Collegium, UK, director of Consciousness Reframed Conferences
> 
> Victoria Vesna
>  - UCLA, USA
> 
> 
> 
> Other Useful Info
> 
> Setting: Porto (https://en.wikipedia.org/wiki/Porto <https://en.wikipedia.org/wiki/Porto>),
>  also known, in English, as Oporto, is the second-largest city in Portugal. Located along the Douro river estuary in Northern Portugal, Porto was proclaimed a World Heritage Site by UNESCO (1996). In 2012, 2014 and 2017, Porto was elected The Best European
>  Destination by the Best European Destinations Agency.
> 
> Accomodations: A selection of accommodations will be secured at available hotels located
>  around the conference venue (tba)
> 
> Transportation: Porto is easy to reach by land or air.
> 
> There are direct and non-direct flights to Porto from anywhere in the world. The airport
>  serving the city (OPO) is the International Airport Francisco Sá Carneiro (https://www.ana.pt/en/corporate/home <https://www.ana.pt/en/corporate/home>),
>  located about 11 km north of the city centre. The main Portuguese airline company is TAP Portugal (https://www.flytap.com/en-pt/ <https://www.flytap.com/en-pt/>)
>  which serves numerous destinations. In addition, there are a growing number of international airlines flying to Porto, many of which are low cost companies.
> 
> BUS from the airport (http://www.stcp.pt/en/travel/lines/ <http://www.stcp.pt/en/travel/lines/>)
>  - lines 601 and 602 take you from the airport to Cordoaria, located in downtown Porto. On Board Tickets cost 1,90€.
> 
> METRO from the airport (http://www.metrodoporto.pt/ <http://www.metrodoporto.pt/>)
>  - line E (violet) takes you to Trindade, located in downtown Porto. You will need to buy a Andante charged with a Z4 ticket, which costs around 2€.
> 
> You can also choose to go to Porto by TAXI. The approximate rate for a trip from the Airport
>  to the City is 20€.
> 
> You can also travel to Porto by train. CP (http://www.cp.pt/passageiros/en/ <http://www.cp.pt/passageiros/en/>),
>  the Portuguese Railway Company, has regular international links. The city of Porto is served by two main stations: Campanhã Station (for international journeys, but also for journeys to Lisbon, Douro and Minho); and S. Bento Station (for urban and regional
>  connections and connections to Galicia).
> 
> ............................................................
> 
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> ............................................................
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