[ARENA] Call for Papers | NOTES ON EUROPE. THE DOGMATIC SLEEP

Quinta-Feira, 4 de Abril de 2019 - 16:53:07 WEST

Para dia 5?? a partir da citação de Derrida vai um fast paper não sobre o
cosmopolitismo ausente, ou daquele que tem sido um privilégio para alguns,
mas um "cosmopolitismo subalterno" como forma cultural e política de
globalização, mas que seja contra-hegemónica. E já agora um subtítulo "Fim
do Império Cognitivo" ou " Descolonizar a Universidade" a partir de
Boaventura de Sousa Santos, mas sobretudo a partir de vítimas de
intolerância e descriminação aquando do rapto da Europa.
AB

On Thu, 4 Apr 2019 at 16:07, Eduarda Neves <eduardadn  gmail.com> wrote:

> sim, o aeroporto é produtivo:)) boa viagem:))
>
>
> Eduarda Neves
>
> *https://ceaa-europa.weebly.com/curatorial-project.html
> <https://ceaa-europa.weebly.com/curatorial-project.html>*
>
>
> *https://ceaa-europa.weebly.com/eduarda-neves.html
> <https://ceaa-europa.weebly.com/eduarda-neves.html>ttps://www.facebook.com/profile.php?id=100011446524503
> <https://www.facebook.com/profile.php?id=100011446524503> www.esap.pt
> <http://www.esap.pt/> *
>
>
> <https://www.facebook.com/profile.php?id=100011446524503>
> <https://pdgartes.weebly.com/> <https://pdgartes.weebly.com/>
>
>
> Em qui, 4 de abr de 2019 às 16:05, Marta Bernardes <
> meninamarta.bernardes  gmail.com> escreveu:
>
>> Fixe. Eu acho que tenho umaperformance-trxto para isto. Deixa ver...
>>
>> Beijinhos já noaeroporto a caminho da imbicta
>>
>> Eduarda Neves <eduardadn  gmail.com> escreveu em qui, 4/04/2019 às 16:02 :
>>
>>> olha, afinal já tinha mandado há 3 semanas mas como tinha uma imagem
>>> ficou pendurado....retiramos a imagem e entrou logo...
>>>
>>>
>>> Eduarda Neves
>>>
>>> *https://ceaa-europa.weebly.com/curatorial-project.html
>>> <https://ceaa-europa.weebly.com/curatorial-project.html>*
>>>
>>>
>>> *https://ceaa-europa.weebly.com/eduarda-neves.html
>>> <https://ceaa-europa.weebly.com/eduarda-neves.html>ttps://www.facebook.com/profile.php?id=100011446524503
>>> <https://www.facebook.com/profile.php?id=100011446524503> www.esap.pt
>>> <http://www.esap.pt/> *
>>>
>>>
>>> <https://www.facebook.com/profile.php?id=100011446524503>
>>> <https://pdgartes.weebly.com/> <https://pdgartes.weebly.com/>
>>>
>>>
>>> Em qui, 4 de abr de 2019 às 15:51, Eduarda Neves <eduardadn  gmail.com>
>>> escreveu:
>>>
>>>> esqueci-me de mandar para aí...deixa lá...
>>>>
>>>>
>>>> Eduarda Neves
>>>>
>>>> *https://ceaa-europa.weebly.com/curatorial-project.html
>>>> <https://ceaa-europa.weebly.com/curatorial-project.html>*
>>>>
>>>>
>>>> *https://ceaa-europa.weebly.com/eduarda-neves.html
>>>> <https://ceaa-europa.weebly.com/eduarda-neves.html>ttps://www.facebook.com/profile.php?id=100011446524503
>>>> <https://www.facebook.com/profile.php?id=100011446524503> www.esap.pt
>>>> <http://www.esap.pt/> *
>>>>
>>>>
>>>> <https://www.facebook.com/profile.php?id=100011446524503>
>>>> <https://pdgartes.weebly.com/> <https://pdgartes.weebly.com/>
>>>>
>>>>
>>>> Em qui, 4 de abr de 2019 às 15:48, Fernando José Pereira <
>>>> efejotape  netcabo.pt> escreveu:
>>>>
>>>>> Call for papers que termina amanhã!!! Que estranho...
>>>>>
>>>>> Sent from my HAL 9000's grandson somewhere between Jupiter and Saturn
>>>>>
>>>>> No dia 04/04/2019, às 15:41, Eduarda Neves <eduardadn  gmail.com>
>>>>> escreveu:
>>>>>
>>>>>
>>>>> *NOTES ON EUROPE*
>>>>> *The dogmatic sleep *
>>>>>
>>>>> Call for Papers
>>>>>
>>>>> Issued by
>>>>> Art and Critical Studies research group - Axis: Europe
>>>>> CEAA | Centro de Estudos Arnaldo Araújo [Arnaldo Araújo Research
>>>>> Center]
>>>>> Escola Superior Artística do Porto, Portugal
>>>>>
>>>>>
>>>>>
>>>>> *"In fact, the question of the essence of Europe is not mysterious or
>>>>> unanswerable. (...) But let us not worry about sterile questions about the
>>>>> true borders and ethnic entities of Europe. There is no doubt that Europe
>>>>> has neither a substantial popular base nor strong borders to the east and
>>>>> the southeast, nor an unequivocal religious identity (...) The question
>>>>> should not be: who, according to what criteria and what traditions, belongs
>>>>> to a "true Europe"? (...) but: which scenes do Europeans play in their
>>>>> decisive historical moments? What are the ideas that animate them, the
>>>>> illusions that mobilize them? How has Europe achieved its driving history
>>>>> and by what means does it keep moving? Where does Europe's power and unity
>>>>> run the risk of failing?"  * [Peter Sloterdijk | If Europe Awakes]
>>>>>
>>>>>
>>>>>                               *"Let this new Europe keep its luminous
>>>>> memory this way: philosophy, democracy, the Enlightenment, and even what is
>>>>> called, in a very dubious way, "secularization". May it also keep its
>>>>> nocturnal memory, the memory of all the crimes it committed in history and
>>>>> which were committed in its name, all these forms of hegemony, of
>>>>> colonialism, and, in the course of this century, all the monstrosities of
>>>>> European totalitarianism: fascism, nazism, stalinism (...) But I still
>>>>> appeal to you, to a Europe that (...) proposes a "new international" and
>>>>> not a "cosmopolitanism".  *  [Jacques Derrida | Letter to Europe]
>>>>>
>>>>>
>>>>> The notion of "Europe" has been questioned since the last decades of
>>>>> the twentieth century, especially in the territory of the so-called
>>>>> European Studies. Since World War II, Europe has lost its visionary project
>>>>> of a privileged race of the human kind, thanks to the consequences of its
>>>>> policy of self-destruction, already present in the first half of the last
>>>>> century, to the effects of decolonization and the loss of ethnocentrism.
>>>>> The convulsions at the level of world politics and geopolitics definitely
>>>>> change the course of history. What Europe is left after the great
>>>>> historical controversies that have crossed and continue to cross it? What
>>>>> critical framework is possible to outline today so as to understand the
>>>>> various interactions and disseminations that make Europe fundamentally a
>>>>> kind of financial and commercial brand? What place can there still exist in
>>>>> the world for a Europe that does not yield to the imperialist tradition? As
>>>>> Sloterdijk critically questions, is this commonplace that tries to
>>>>> formulate Europe as a "unity of differences" or "a set of contradictions" a
>>>>> empty one? What is the possibility of a heterotopic becoming for Europe?
>>>>> How to wake it from the dogmatic sleep as did Kant in respect to Reason?
>>>>> Since the modern age, in which European cartography has practically reduced
>>>>> the terrestrial globe and the representation of the world to Europe, until
>>>>> today, the old continent loses its enchantment, its mystical character,
>>>>> being increasingly challenged as a paradigm. If it is true that it will
>>>>> continue to be privileged, this fact can not prevent us from thinking about
>>>>> what we are as history, from establishing a dialogue with ourselves, a kind
>>>>> of personal archeology. Similarly, in the territory of art, Europe has been
>>>>> the subject of complex debates, in the domain of which some artists have
>>>>> been called in to participate, questioning both the political
>>>>> reorganization of post-Second World War, recent political decisions, or
>>>>> artistic mapping based in geopolitical strategies in a global context. If
>>>>> European art was regarded as the world’s art, its protectorate seems to
>>>>> have been emptied. Will those who Sloterdijk calls "the second-rate
>>>>> artists" be the ones who continue to overestimate heterogeneity and
>>>>> otherness, making efforts to maintain the myth of the European dream?
>>>>>
>>>>> From this critical framework, we propose to open the debate on the
>>>>> multiple political, social and artistic representations of Europe that we
>>>>> had in the past, that we have now or that we want to have in the future and
>>>>> that configure some of the discussions.
>>>>>
>>>>> We welcome proposals for 20-minutes presentations in English, which
>>>>> should include:
>>>>>
>>>>> Title of the proposal Applicant’s identification (name, institution,
>>>>> country, position and email), Abstract (up to 300 words), Short curriculum
>>>>> vitae (up to 100 words)
>>>>> Proposals must be sent in Word (.doc format) by email to
>>>>> ceaaeurope  gmail.com <ceaa.europe  gmail.com>
>>>>>
>>>>> Important dates:
>>>>>
>>>>> Deadline for abstract submission – April 5, 2019
>>>>> Notification of acceptance of abstract – April 30, 2019
>>>>> Deadline for full paper submission – June 30, 2019
>>>>> Papers review – July 31, 2019
>>>>> Final full paper submission - September 30, 2019
>>>>> Conference - October 29-31, 2019
>>>>> Visit the conference website here
>>>>> <https://ceaa-europa.weebly.com/conference.html>
>>>>>
>>>>>
>>>>>
>>>>> *CEAA | Centro de Estudos Arnaldo Araújo*
>>>>> Escola Superior Artística do Porto
>>>>> Largo de S. Domingos, 80; 4050-545 Porto - Portugal
>>>>> <https://maps.google.com/?q=Largo+de+S.+Domingos,+80;+4050-545+Porto+-+Portugal&entry=gmail&source=g>
>>>>> Tel: (+351) 223 392 130; Fax: (+351) 223 392 135
>>>>> www.ceaa.pt
>>>>>
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>> --
>> *Marta Bernardes*
>> *Visual arts **// Performance** // Music **// Theater **// Poetry **//
>> Theory*
>>
>>
>> *Mezzanine <http://www.mezzanine.pt>TdB <http://www.trupedosbichos.pt>*
>> martabernard.es
>> +351 938556163
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