[ARENA] Call for Papers | NOTES ON EUROPE. THE DOGMATIC SLEEP

Quinta-Feira, 4 de Abril de 2019 - 16:04:21 WEST

Fixe. Eu acho que tenho umaperformance-trxto para isto. Deixa ver...

Beijinhos já noaeroporto a caminho da imbicta

Eduarda Neves <eduardadn  gmail.com> escreveu em qui, 4/04/2019 às 16:02 :

> olha, afinal já tinha mandado há 3 semanas mas como tinha uma imagem ficou
> pendurado....retiramos a imagem e entrou logo...
>
>
> Eduarda Neves
>
> *https://ceaa-europa.weebly.com/curatorial-project.html
> <https://ceaa-europa.weebly.com/curatorial-project.html>*
>
>
> *https://ceaa-europa.weebly.com/eduarda-neves.html
> <https://ceaa-europa.weebly.com/eduarda-neves.html>ttps://www.facebook.com/profile.php?id=100011446524503
> <https://www.facebook.com/profile.php?id=100011446524503> www.esap.pt
> <http://www.esap.pt/> *
>
>
> <https://www.facebook.com/profile.php?id=100011446524503>
> <https://pdgartes.weebly.com/> <https://pdgartes.weebly.com/>
>
>
> Em qui, 4 de abr de 2019 às 15:51, Eduarda Neves <eduardadn  gmail.com>
> escreveu:
>
>> esqueci-me de mandar para aí...deixa lá...
>>
>>
>> Eduarda Neves
>>
>> *https://ceaa-europa.weebly.com/curatorial-project.html
>> <https://ceaa-europa.weebly.com/curatorial-project.html>*
>>
>>
>> *https://ceaa-europa.weebly.com/eduarda-neves.html
>> <https://ceaa-europa.weebly.com/eduarda-neves.html>ttps://www.facebook.com/profile.php?id=100011446524503
>> <https://www.facebook.com/profile.php?id=100011446524503> www.esap.pt
>> <http://www.esap.pt/> *
>>
>>
>> <https://www.facebook.com/profile.php?id=100011446524503>
>> <https://pdgartes.weebly.com/> <https://pdgartes.weebly.com/>
>>
>>
>> Em qui, 4 de abr de 2019 às 15:48, Fernando José Pereira <
>> efejotape  netcabo.pt> escreveu:
>>
>>> Call for papers que termina amanhã!!! Que estranho...
>>>
>>> Sent from my HAL 9000's grandson somewhere between Jupiter and Saturn
>>>
>>> No dia 04/04/2019, às 15:41, Eduarda Neves <eduardadn  gmail.com>
>>> escreveu:
>>>
>>>
>>> *NOTES ON EUROPE*
>>> *The dogmatic sleep *
>>>
>>> Call for Papers
>>>
>>> Issued by
>>> Art and Critical Studies research group - Axis: Europe
>>> CEAA | Centro de Estudos Arnaldo Araújo [Arnaldo Araújo Research Center]
>>> Escola Superior Artística do Porto, Portugal
>>>
>>>
>>>
>>> *"In fact, the question of the essence of Europe is not mysterious or
>>> unanswerable. (...) But let us not worry about sterile questions about the
>>> true borders and ethnic entities of Europe. There is no doubt that Europe
>>> has neither a substantial popular base nor strong borders to the east and
>>> the southeast, nor an unequivocal religious identity (...) The question
>>> should not be: who, according to what criteria and what traditions, belongs
>>> to a "true Europe"? (...) but: which scenes do Europeans play in their
>>> decisive historical moments? What are the ideas that animate them, the
>>> illusions that mobilize them? How has Europe achieved its driving history
>>> and by what means does it keep moving? Where does Europe's power and unity
>>> run the risk of failing?"  * [Peter Sloterdijk | If Europe Awakes]
>>>
>>>
>>>                             *"Let this new Europe keep its luminous
>>> memory this way: philosophy, democracy, the Enlightenment, and even what is
>>> called, in a very dubious way, "secularization". May it also keep its
>>> nocturnal memory, the memory of all the crimes it committed in history and
>>> which were committed in its name, all these forms of hegemony, of
>>> colonialism, and, in the course of this century, all the monstrosities of
>>> European totalitarianism: fascism, nazism, stalinism (...) But I still
>>> appeal to you, to a Europe that (...) proposes a "new international" and
>>> not a "cosmopolitanism".  *  [Jacques Derrida | Letter to Europe]
>>>
>>>
>>> The notion of "Europe" has been questioned since the last decades of the
>>> twentieth century, especially in the territory of the so-called European
>>> Studies. Since World War II, Europe has lost its visionary project of a
>>> privileged race of the human kind, thanks to the consequences of its policy
>>> of self-destruction, already present in the first half of the last century,
>>> to the effects of decolonization and the loss of ethnocentrism. The
>>> convulsions at the level of world politics and geopolitics definitely
>>> change the course of history. What Europe is left after the great
>>> historical controversies that have crossed and continue to cross it? What
>>> critical framework is possible to outline today so as to understand the
>>> various interactions and disseminations that make Europe fundamentally a
>>> kind of financial and commercial brand? What place can there still exist in
>>> the world for a Europe that does not yield to the imperialist tradition? As
>>> Sloterdijk critically questions, is this commonplace that tries to
>>> formulate Europe as a "unity of differences" or "a set of contradictions" a
>>> empty one? What is the possibility of a heterotopic becoming for Europe?
>>> How to wake it from the dogmatic sleep as did Kant in respect to Reason?
>>> Since the modern age, in which European cartography has practically reduced
>>> the terrestrial globe and the representation of the world to Europe, until
>>> today, the old continent loses its enchantment, its mystical character,
>>> being increasingly challenged as a paradigm. If it is true that it will
>>> continue to be privileged, this fact can not prevent us from thinking about
>>> what we are as history, from establishing a dialogue with ourselves, a kind
>>> of personal archeology. Similarly, in the territory of art, Europe has been
>>> the subject of complex debates, in the domain of which some artists have
>>> been called in to participate, questioning both the political
>>> reorganization of post-Second World War, recent political decisions, or
>>> artistic mapping based in geopolitical strategies in a global context. If
>>> European art was regarded as the world’s art, its protectorate seems to
>>> have been emptied. Will those who Sloterdijk calls "the second-rate
>>> artists" be the ones who continue to overestimate heterogeneity and
>>> otherness, making efforts to maintain the myth of the European dream?
>>>
>>> From this critical framework, we propose to open the debate on the
>>> multiple political, social and artistic representations of Europe that we
>>> had in the past, that we have now or that we want to have in the future and
>>> that configure some of the discussions.
>>>
>>> We welcome proposals for 20-minutes presentations in English, which
>>> should include:
>>>
>>> Title of the proposal Applicant’s identification (name, institution,
>>> country, position and email), Abstract (up to 300 words), Short curriculum
>>> vitae (up to 100 words)
>>> Proposals must be sent in Word (.doc format) by email to
>>> ceaaeurope  gmail.com <ceaa.europe  gmail.com>
>>>
>>> Important dates:
>>>
>>> Deadline for abstract submission – April 5, 2019
>>> Notification of acceptance of abstract – April 30, 2019
>>> Deadline for full paper submission – June 30, 2019
>>> Papers review – July 31, 2019
>>> Final full paper submission - September 30, 2019
>>> Conference - October 29-31, 2019
>>> Visit the conference website here
>>> <https://ceaa-europa.weebly.com/conference.html>
>>>
>>>
>>>
>>> *CEAA | Centro de Estudos Arnaldo Araújo*
>>> Escola Superior Artística do Porto
>>> Largo de S. Domingos, 80; 4050-545 Porto - Portugal
>>> <https://maps.google.com/?q=Largo+de+S.+Domingos,+80;+4050-545+Porto+-+Portugal&entry=gmail&source=g>
>>> Tel: (+351) 223 392 130; Fax: (+351) 223 392 135
>>> www.ceaa.pt
>>>
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-- 
*Marta Bernardes*
*Visual arts **// Performance** // Music **// Theater **// Poetry **//
Theory*

*Mezzanine <http://www.mezzanine.pt>TdB <http://www.trupedosbichos.pt>*
martabernard.es
+351 938556163
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