[ARENA] Call for Papers | NOTES ON EUROPE. THE DOGMATIC SLEEP

Eduarda Neves eduardadn gmail.com
Quinta-Feira, 4 de Abril de 2019 - 16:02:54 WEST


olha, afinal já tinha mandado há 3 semanas mas como tinha uma imagem ficou
pendurado....retiramos a imagem e entrou logo...


Eduarda Neves

*https://ceaa-europa.weebly.com/curatorial-project.html
<https://ceaa-europa.weebly.com/curatorial-project.html>*


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Em qui, 4 de abr de 2019 às 15:51, Eduarda Neves <eduardadn  gmail.com>
escreveu:

> esqueci-me de mandar para aí...deixa lá...
>
>
> Eduarda Neves
>
> *https://ceaa-europa.weebly.com/curatorial-project.html
> <https://ceaa-europa.weebly.com/curatorial-project.html>*
>
>
> *https://ceaa-europa.weebly.com/eduarda-neves.html
> <https://ceaa-europa.weebly.com/eduarda-neves.html>ttps://www.facebook.com/profile.php?id=100011446524503
> <https://www.facebook.com/profile.php?id=100011446524503> www.esap.pt
> <http://www.esap.pt/> *
>
>
> <https://www.facebook.com/profile.php?id=100011446524503>
> <https://pdgartes.weebly.com/> <https://pdgartes.weebly.com/>
>
>
> Em qui, 4 de abr de 2019 às 15:48, Fernando José Pereira <
> efejotape  netcabo.pt> escreveu:
>
>> Call for papers que termina amanhã!!! Que estranho...
>>
>> Sent from my HAL 9000's grandson somewhere between Jupiter and Saturn
>>
>> No dia 04/04/2019, às 15:41, Eduarda Neves <eduardadn  gmail.com>
>> escreveu:
>>
>>
>> *NOTES ON EUROPE*
>> *The dogmatic sleep *
>>
>> Call for Papers
>>
>> Issued by
>> Art and Critical Studies research group - Axis: Europe
>> CEAA | Centro de Estudos Arnaldo Araújo [Arnaldo Araújo Research Center]
>> Escola Superior Artística do Porto, Portugal
>>
>>
>>
>> *"In fact, the question of the essence of Europe is not mysterious or
>> unanswerable. (...) But let us not worry about sterile questions about the
>> true borders and ethnic entities of Europe. There is no doubt that Europe
>> has neither a substantial popular base nor strong borders to the east and
>> the southeast, nor an unequivocal religious identity (...) The question
>> should not be: who, according to what criteria and what traditions, belongs
>> to a "true Europe"? (...) but: which scenes do Europeans play in their
>> decisive historical moments? What are the ideas that animate them, the
>> illusions that mobilize them? How has Europe achieved its driving history
>> and by what means does it keep moving? Where does Europe's power and unity
>> run the risk of failing?"  * [Peter Sloterdijk | If Europe Awakes]
>>
>>
>>                           *"Let this new Europe keep its luminous memory
>> this way: philosophy, democracy, the Enlightenment, and even what is
>> called, in a very dubious way, "secularization". May it also keep its
>> nocturnal memory, the memory of all the crimes it committed in history and
>> which were committed in its name, all these forms of hegemony, of
>> colonialism, and, in the course of this century, all the monstrosities of
>> European totalitarianism: fascism, nazism, stalinism (...) But I still
>> appeal to you, to a Europe that (...) proposes a "new international" and
>> not a "cosmopolitanism".  *  [Jacques Derrida | Letter to Europe]
>>
>>
>> The notion of "Europe" has been questioned since the last decades of the
>> twentieth century, especially in the territory of the so-called European
>> Studies. Since World War II, Europe has lost its visionary project of a
>> privileged race of the human kind, thanks to the consequences of its policy
>> of self-destruction, already present in the first half of the last century,
>> to the effects of decolonization and the loss of ethnocentrism. The
>> convulsions at the level of world politics and geopolitics definitely
>> change the course of history. What Europe is left after the great
>> historical controversies that have crossed and continue to cross it? What
>> critical framework is possible to outline today so as to understand the
>> various interactions and disseminations that make Europe fundamentally a
>> kind of financial and commercial brand? What place can there still exist in
>> the world for a Europe that does not yield to the imperialist tradition? As
>> Sloterdijk critically questions, is this commonplace that tries to
>> formulate Europe as a "unity of differences" or "a set of contradictions" a
>> empty one? What is the possibility of a heterotopic becoming for Europe?
>> How to wake it from the dogmatic sleep as did Kant in respect to Reason?
>> Since the modern age, in which European cartography has practically reduced
>> the terrestrial globe and the representation of the world to Europe, until
>> today, the old continent loses its enchantment, its mystical character,
>> being increasingly challenged as a paradigm. If it is true that it will
>> continue to be privileged, this fact can not prevent us from thinking about
>> what we are as history, from establishing a dialogue with ourselves, a kind
>> of personal archeology. Similarly, in the territory of art, Europe has been
>> the subject of complex debates, in the domain of which some artists have
>> been called in to participate, questioning both the political
>> reorganization of post-Second World War, recent political decisions, or
>> artistic mapping based in geopolitical strategies in a global context. If
>> European art was regarded as the world’s art, its protectorate seems to
>> have been emptied. Will those who Sloterdijk calls "the second-rate
>> artists" be the ones who continue to overestimate heterogeneity and
>> otherness, making efforts to maintain the myth of the European dream?
>>
>> From this critical framework, we propose to open the debate on the
>> multiple political, social and artistic representations of Europe that we
>> had in the past, that we have now or that we want to have in the future and
>> that configure some of the discussions.
>>
>> We welcome proposals for 20-minutes presentations in English, which
>> should include:
>>
>> Title of the proposal Applicant’s identification (name, institution,
>> country, position and email), Abstract (up to 300 words), Short curriculum
>> vitae (up to 100 words)
>> Proposals must be sent in Word (.doc format) by email to
>> ceaaeurope  gmail.com <ceaa.europe  gmail.com>
>>
>> Important dates:
>>
>> Deadline for abstract submission – April 5, 2019
>> Notification of acceptance of abstract – April 30, 2019
>> Deadline for full paper submission – June 30, 2019
>> Papers review – July 31, 2019
>> Final full paper submission - September 30, 2019
>> Conference - October 29-31, 2019
>> Visit the conference website here
>> <https://ceaa-europa.weebly.com/conference.html>
>>
>>
>>
>> *CEAA | Centro de Estudos Arnaldo Araújo*
>> Escola Superior Artística do Porto
>> Largo de S. Domingos, 80; 4050-545 Porto - Portugal
>> Tel: (+351) 223 392 130; Fax: (+351) 223 392 135
>> www.ceaa.pt
>>
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