Eduarda Neves eduardadn gmail.com
Quinta-Feira, 4 de Abril de 2019 - 15:51:30 WEST

esqueci-me de mandar para aí...deixa lá...

Eduarda Neves


<https://www.facebook.com/profile.php?id=100011446524503> www.esap.pt
<http://www.esap.pt/> *

<https://pdgartes.weebly.com/> <https://pdgartes.weebly.com/>

Em qui, 4 de abr de 2019 às 15:48, Fernando José Pereira <
efejotape  netcabo.pt> escreveu:

> Call for papers que termina amanhã!!! Que estranho...
> Sent from my HAL 9000's grandson somewhere between Jupiter and Saturn
> No dia 04/04/2019, às 15:41, Eduarda Neves <eduardadn  gmail.com> escreveu:
> *The dogmatic sleep *
> Call for Papers
> Issued by
> Art and Critical Studies research group - Axis: Europe
> CEAA | Centro de Estudos Arnaldo Araújo [Arnaldo Araújo Research Center]
> Escola Superior Artística do Porto, Portugal
> *"In fact, the question of the essence of Europe is not mysterious or
> unanswerable. (...) But let us not worry about sterile questions about the
> true borders and ethnic entities of Europe. There is no doubt that Europe
> has neither a substantial popular base nor strong borders to the east and
> the southeast, nor an unequivocal religious identity (...) The question
> should not be: who, according to what criteria and what traditions, belongs
> to a "true Europe"? (...) but: which scenes do Europeans play in their
> decisive historical moments? What are the ideas that animate them, the
> illusions that mobilize them? How has Europe achieved its driving history
> and by what means does it keep moving? Where does Europe's power and unity
> run the risk of failing?"  * [Peter Sloterdijk | If Europe Awakes]
>                           *"Let this new Europe keep its luminous memory
> this way: philosophy, democracy, the Enlightenment, and even what is
> called, in a very dubious way, "secularization". May it also keep its
> nocturnal memory, the memory of all the crimes it committed in history and
> which were committed in its name, all these forms of hegemony, of
> colonialism, and, in the course of this century, all the monstrosities of
> European totalitarianism: fascism, nazism, stalinism (...) But I still
> appeal to you, to a Europe that (...) proposes a "new international" and
> not a "cosmopolitanism".  *  [Jacques Derrida | Letter to Europe]
> The notion of "Europe" has been questioned since the last decades of the
> twentieth century, especially in the territory of the so-called European
> Studies. Since World War II, Europe has lost its visionary project of a
> privileged race of the human kind, thanks to the consequences of its policy
> of self-destruction, already present in the first half of the last century,
> to the effects of decolonization and the loss of ethnocentrism. The
> convulsions at the level of world politics and geopolitics definitely
> change the course of history. What Europe is left after the great
> historical controversies that have crossed and continue to cross it? What
> critical framework is possible to outline today so as to understand the
> various interactions and disseminations that make Europe fundamentally a
> kind of financial and commercial brand? What place can there still exist in
> the world for a Europe that does not yield to the imperialist tradition? As
> Sloterdijk critically questions, is this commonplace that tries to
> formulate Europe as a "unity of differences" or "a set of contradictions" a
> empty one? What is the possibility of a heterotopic becoming for Europe?
> How to wake it from the dogmatic sleep as did Kant in respect to Reason?
> Since the modern age, in which European cartography has practically reduced
> the terrestrial globe and the representation of the world to Europe, until
> today, the old continent loses its enchantment, its mystical character,
> being increasingly challenged as a paradigm. If it is true that it will
> continue to be privileged, this fact can not prevent us from thinking about
> what we are as history, from establishing a dialogue with ourselves, a kind
> of personal archeology. Similarly, in the territory of art, Europe has been
> the subject of complex debates, in the domain of which some artists have
> been called in to participate, questioning both the political
> reorganization of post-Second World War, recent political decisions, or
> artistic mapping based in geopolitical strategies in a global context. If
> European art was regarded as the world’s art, its protectorate seems to
> have been emptied. Will those who Sloterdijk calls "the second-rate
> artists" be the ones who continue to overestimate heterogeneity and
> otherness, making efforts to maintain the myth of the European dream?
> From this critical framework, we propose to open the debate on the
> multiple political, social and artistic representations of Europe that we
> had in the past, that we have now or that we want to have in the future and
> that configure some of the discussions.
> We welcome proposals for 20-minutes presentations in English, which should
> include:
> Title of the proposal Applicant’s identification (name, institution,
> country, position and email), Abstract (up to 300 words), Short curriculum
> vitae (up to 100 words)
> Proposals must be sent in Word (.doc format) by email to
> ceaaeurope  gmail.com <ceaa.europe  gmail.com>
> Important dates:
> Deadline for abstract submission – April 5, 2019
> Notification of acceptance of abstract – April 30, 2019
> Deadline for full paper submission – June 30, 2019
> Papers review – July 31, 2019
> Final full paper submission - September 30, 2019
> Conference - October 29-31, 2019
> Visit the conference website here
> <https://ceaa-europa.weebly.com/conference.html>
> *CEAA | Centro de Estudos Arnaldo Araújo*
> Escola Superior Artística do Porto
> Largo de S. Domingos, 80; 4050-545 Porto - Portugal
> Tel: (+351) 223 392 130; Fax: (+351) 223 392 135
> www.ceaa.pt
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