[ARENA] xCoAx 2018 Madrid

André Rangel a 3kta.net
Sexta-Feira, 17 de Novembro de 2017 - 14:23:24 WET


Happy to announce the call for xCoAx 2018! Help us spread the word.
 
xCoAx 2018: 6th International Conference on Computation, Communication, Aesthetics and X
12-13 July 2018
Madrid, Spain
http://xcoax.org/ <http://xcoax.org/>

Deadline for submissions: 31 January 

Confirmed keynote speaker: Mario Klingemann

xCoAx is an exploration of the intersection where computational tools and media meet art and culture, in the form of a multi-disciplinary enquiry on aesthetics, computation, communication and the elusive X factor that connects them all.

xCoAx has been an occasion for international audiences to meet and exchange ideas, in search of interdisciplinary synergies among computer scientists, artists, media practitioners, and theoreticians at the threshold of digital arts and culture. Previous editions of xCoAx took place in Lisbon in 2017, Bergamo in 2016 and 2013, Glasgow in 2015, and Porto in 2014.

The focus of xCoAx is on the unpredictable overlaps between the chaos and freedom of creativity and the rules and determinism of algorithms, between human nature and machine technology, with the aim to evolve towards new directions in aesthetics.

In 2018 xCoAx will take place in Madrid, in and around ETSAM <https://xcoax.us14.list-manage.com/track/click?u=0cdac0ad3a46ed1e936aa969e&id=96b648a5dc&e=184c3e4496>, in the Moncloa area.


Topics
You are invited to submit theoretical, practical or experimental research work that includes but is not limited to the following topics:

Computation
Communication
Aesthetics
X
Algorithms / Systems / Models
Artificial Aesthetics
Artificial Intelligence
Audiovisuals / Multimodality
Creativity
Design
Interaction
Games
Generative Art / Design
History
Mechatronics / Physical Computing
Music / Sound Art
Performance
Philosophy of Art / of Computation
Technology / Ethics / Epistemology

Important dates
Submission deadline: January 31
Notifications: March 20
Registration deadline for authors: April 30
Delivery of final versions: April 30
Doctoral symposium: July 11
Exhibition opening: July 11
Conference: July 12 & 13


Submission categories
Paper: 5 to 10 pages conference paper, following the formatting in the Word template at http://xcoax.org/xCoAx_2018_PaperTemplate.docx <https://xcoax.us14.list-manage.com/track/click?u=0cdac0ad3a46ed1e936aa969e&id=39be6b9000&e=184c3e4496> Revision of papers will be double-blind. Please make sure that the PDF file is completely anonymized (i.e. omits author-related information in body of text or as explicit self-citations, notes and bibliography). Accepted papers will be published in the conference proceedings and allotted 15 minutes presentation time at the conference.

Artwork / Performance: 3 to 4 page description paper, following the formatting in the Word template at http://xcoax.org/xCoAx_2018_PaperTemplate.docx <https://xcoax.us14.list-manage.com/track/click?u=0cdac0ad3a46ed1e936aa969e&id=5b10ed2ca1&e=184c3e4496> Revision of proposals will be double-blind. Proposals should provide a clear description of the work, one or more URLs for access to relevant media assets, and a technical rider (layout, setup, required equipment). All accepted works will be allotted 7 minutes presentation time at the conference. Artworks will be part of the exhibition, performances will be allotted a maximum of 30 minutes on stage during the performance night. The proceedings will publish an extended abstract to be provided by the authors after the conference.

Doctoral symposium: 2 pages research paper, following the formatting in the Word template at http://xcoax.org/xCoAx_2018_DoctoralSymposiumTemplate.docx <https://xcoax.us14.list-manage.com/track/click?u=0cdac0ad3a46ed1e936aa969e&id=9cd5848981&e=184c3e4496> The title of your submission should start with "DS:", e.g. "DS: Parametrisation in Visual Art". Revision of proposals will be single-blind. A revised version will be requested for inclusion in the proceedings after the symposium.


Doctoral Symposium
The symposium will provide students the opportunity to present their doctoral research and receive feedback on their work-in progress from established researchers and from other participants. The symposium aims to foster the discussion of research topics and approaches, and to promote interaction between the research community.

To apply as a student participating in the Doctoral Symposium you should provide a single document including a research paper and letter of support by your advisor.

The research paper should include: 1) Purpose of the research and its importance to the field; 2) Brief survey of background and related work; 3) Description of the proposed approach; 4) Expected contributions; 5) Progress towards goals.

The letter of support should provide an assessment of the current status of the research and mention areas that could benefit from feedback from other experienced researchers.

The first xCoAx Doctoral Symposium, in 2017 was chaired by Frieder Nake and Philip Galanter.


Additional information and submission details
All works must be submitted via EasyChair: https://easychair.org/conferences/?conf=xcoax2018 <https://xcoax.us14.list-manage.com/track/click?u=0cdac0ad3a46ed1e936aa969e&id=13d5f89f53&e=184c3e4496> 
Submissions must be original and will be rigorously reviewed by an international and multidisciplinary scientific committee, in a process that will assess originality, relevance, artistic and technical achievements;
Submissions should be presented as .pdf files with all the media files embedded or linked to online resources;
Final versions for publication should be delivered in .docx with all the images and other media files attached as independent files;
All images and media assets must be cleared for publication by the authors;
At least one of the authors of each selected contribution must register to the conference before the first author registration deadline in order for the work to be published in the proceedings;
xCoAx’s working language is English;
xCoAx’s conference proceedings (with ISBN) will be published online;
A selection of works will be published in a forthcoming special issue of CITAR’s Journal of Science and Technology of the Arts;
Please contact the program chairs at info  xcoax.org <mailto:info  xcoax.org> with any questions regarding submissions.

Conference format
Wednesday 11 afternoon: Doctoral symposium.
Wednesday 11 evening: Opening of the exhibition, reception cocktail.
Thursday 12: Conference, keynote, performances. Presentations will be organised in panels chaired by a moderator that will lead a final discussion with authors and audience. A guest keynote will close the day.
Thursday 12 evening: Performances.
Friday 13: Conference, keynote, artworks and performances session. The morning will be dedicated to further paper panels, while in the afternoon, the artworks and performances presentations will take place, networking authors and audience. A second keynote address will close the day.
Friday 13 evening: Conference dinner.
Friday 13 night: Closing party.


Registration
Author registration: € 190 — before April 30th. One author per paper. Includes entry to conference and performances, does not include conference dinner.
Reduced registration: € 60 — Non-presenting co-authors, authors without academic affiliation, general public. Includes entry to conference and performances, does not include conference dinner.
Doctoral symposium: € 60 — Includes entry to conference and performances, does not include conference dinner.
Conference dinner: € 30 — Not included in the registration, also open to non-registered accompanying persons.


Scientific committee
Adriana Sá, University of Coimbra
Alejandro Sanchez Zaragoza, MACA / ETSAM
Alessandro Ludovico, Winchester School of Art, University of Southampton / Neural
Alice Eldridge, University of Sussex
Alison Clifford, University of the West of Scotland
André Rangel, CITAR
Andrea González Garrán, MACA / ETSAM
Andreas Broeckmann, Leuphana Arts Program, Lüneburg
Andreas Muxel, Faculty of Design at University of Applied Sciences Augsburg
Andreas Zingerle, kairus.org <http://kairus.org/> / Woosong University
Andres Burbano, School of Architecture and Design, Universidad de los Andes, Colombia
Anne Balsamo, University of Texas at Dallas
Anneke Pettican, Department Lead Art & Communication, University of Huddersfield
Arne Eigenfeldt, Simon Fraser University
Atxu Amann, MACA / ETSAM
Boris Debackere, V2
Carlos Guedes, New York University Abu Dhabi
Caroline Claisse, Art and Design Centre / Sheffield Hallam University
Chara Lewis, Manchester School of Art, Manchester Metropolitan University
Christian Faubel, Academy of Media Arts Cologne
Cristina Sá, CITAR / Portuguese Catholic University, School of Arts
Dale MacDonald, University of Texas at Dallas
Daniel Schorno, STEIM
Daphne Dragona, Transmediale
Filipe Pais, Ensadlab, Ensad, Paris
Francesca Pasquali, University of Bergamo
Francisco Cardoso Lima, Independent Artist, Aveiro
Frieder Nake, University of Bremen & Hochschule für Künste Bremen
Graeme Truslove, University of the West of Scotland
Heitor Alvelos, ID+ / Faculty of Fine Arts, University of Porto
Irina Spicaka, CC4AV
João Cordeiro, CITAR / University of West London
Jason Reizner, Bauhaus-Universität Weimar
Jingyin He, Yale-NUS College
Jon McCormack, Monash University
Julio D'Escriván, University of Huddersfield
Kristin Mojsiewicz, Edinburgh College of Art, University of Edinburgh
Linda Kronmann, kairus.org <http://kairus.org/> / Woosong University
Luís Gustavo Martins, CITAR / Portuguese Catholic University
Luísa Ribas, ID+ / CIEBA / Faculty of Fine Arts, University of Lisbon
Manuela Naveau, Ars Electronica
Mario Verdicchio, University of the West of Scotland
Martin Kaltenbrunner, Kunstuniversität Linz
Miguel Carvalhais, INESC TEC / Faculty of Fine Arts, University of Porto
Mona Kasra, University of Virginia
Nathan Wolek, Stetson University
Nuno N. Correia, Madeira Interactive Technologies Institute
Pablo Garcia, School of the Art Institute of Chicago
Paulo Ferreira Lopes, Portuguese Catholic University, School of Arts
Pedro Cardoso, ID+ / Faculty of Fine Arts, University of Porto
Penousal Machado, University of Coimbra
Philip Galanter, Texas A&M University
Roxanne Leitão, Central Saint Martins, University of the Arts London
Rui Penha, INESC TEC / FEUP
Rui Torres, Faculty of Human and Social Sciences, University Fernando Pessoa, Porto
Samuel Van Ransbeeck, UCP-CITAR
Sophie-Carolin Wagner, Austrian National Library / RIAT
Shusha Niederberguer, House of Electronic Arts Basel
Susan Grabowski, compArt, University of Bremen
Titus von der Malsburg, Department of Linguistics, University of Potsdam
Thor Magnusson, University of Sussex / ixi audio
Valentina Nisi, University of Madeira
Valentina Vuksic, Zurich University of the Arts
Victoria Bradbury, University of North Carolina, Asheville


Organizing committee
André Rangel, CITAR
Andrea González Garrán, MACA / ETSAM
Jason Reizner, Bauhaus-Universität Weimar
Luísa Ribas, ID+ / CIEBA / Faculty of Fine Arts, University of Lisbon
Mario Verdicchio, University of the West of Scotland
Miguel Carvalhais, INESC TEC / Faculty of Fine Arts, University of Porto


Local organizing committee
Alejandro Sanchez Zaragoza, MACA / ETSAM
Andrea González Garrán, MACA / ETSAM
Atxu Amann, MACA / ETSAM


Steering committee
Alison Clifford, University of the West of Scotland
André Rangel, CITAR
Graeme Truslove, University of the West of Scotland
Jason Reizner, Bauhaus-Universität Weimar
Luísa Ribas, ID+ / CIEBA / Faculty of Fine Arts, University of Lisbon
Mario Verdicchio, University of the West of Scotland
Miguel Carvalhais, INESC TEC / Faculty of Fine Arts, University of Porto
Pedro Tudela, i2ADS / Faculty of Fine Arts, University of Porto


Contacts
info  xcoax.org <mailto:info  xcoax.org>
@xcoaxorg <https://xcoax.us14.list-manage.com/track/click?u=0cdac0ad3a46ed1e936aa969e&id=56fd4193d2&e=184c3e4496>
facebook.com/xcoax.org <https://xcoax.us14.list-manage.com/track/click?u=0cdac0ad3a46ed1e936aa969e&id=2cebe2f863&e=184c3e4496>

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