[ARENA] Fwd: The Slow Media Manifesto
miguel leal
ml virose.pt
Quarta-Feira, 1 de Setembro de 2010 - 00:08:37 WEST
Begin forwarded message:
> From: Geert Lovink <geert xs4all.nl>
> Date: June 23, 2010 11:28:56 AM GMT+01:00
> Subject: The Slow Media Manifesto
>
>
> http://en.slow-media.net/manifesto
>
> The Slow Media Manifesto
> The first decade of the 21st century, the so-called ‘naughties’, has
> brought profound changes to the technological foundations of the media
> landscape. The key buzzwords are networks, the Internet and social
> media. In the second decade, people will not search for new
> technologies allowing for even easier, faster and low-priced content
> production. Rather, appropriate reactions to this media revolution are
> to be developed and integrated politically, culturally and socially.
> The concept “Slow”, as in “Slow Food” and not as in “Slow Down”, is a
> key for this. Like “Slow Food”, Slow Media are not about fast
> consumption but about choosing the ingredients mindfully and preparing
> them in a concentrated manner. Slow Media are welcoming and
> hospitable. They like to share.
>
> 1. Slow Media are a contribution to sustainability. Sustainability
> relates to the raw materials, processes and working conditions, which
> are the basis for media production. Exploitation and low-wage sectors
> as well as the unconditional commercialization of user data will not
> result in sustainable media. At the same time, the term refers to the
> sustainable consumption of Slow Media.
>
> 2. Slow media promote Monotasking. Slow Media cannot be consumed
> casually, but provoke the full concentration of their users. As with
> the production of a good meal, which demands the full attention of all
> senses by the cook and his guests, Slow Media can only be consumed
> with pleasure in focused alertness.
>
> 3. Slow Media aim at perfection. Slow Media do not necessarily
> represent new developments on the market. More important is the
> continuous improvement of reliable user interfaces that are robust,
> accessible and perfectly tailored to the media usage habits of the
> people.
>
> 4. Slow Media make quality palpable. Slow Media measure themselves in
> production, appearance and content against high standards of quality
> and stand out from their fast-paced and short-lived counterparts – by
> some premium interface or by an aesthetically inspiring design.
>
> 5. Slow Media advance Prosumers, i.e. people who actively define what
> and how they want to consume and produce. In Slow Media, the active
> Prosumer, inspired by his media usage to develop new ideas and take
> action, replaces the passive consumer. This may be shown by marginals
> in a book or animated discussion about a record with friends. Slow
> Media inspire, continuously affect the users’ thoughts and actions and
> are still perceptible years later.
>
> 6. Slow Media are discursive and dialogic. They long for a counterpart
> with whom they may come in contact. The choice of the target media is
> secondary. In Slow Media, listening is as important as speaking. Hence
> ‘Slow’ means to be mindful and approachable and to be able to regard
> and to question one’s own position from a different angle.
>
> 7. Slow Media are Social Media. Vibrant communities or tribes
> constitute around Slow Media. This, for instance, may be a living
> author exchanging thoughts with his readers or a community
> interpreting a late musician’s work. Thus Slow Media propagate
> diversity and respect cultural and distinctive local features.
>
> 8. Slow Media respect their users. Slow Media approach their users in
> a self-conscious and amicable way and have a good idea about the
> complexity or irony their users can handle. Slow Media neither look
> down on their users nor approach them in a submissive way.
>
> 9. Slow Media are distributed via recommendations not advertising: the
> success of Slow Media is not based on an overwhelming advertising
> pressure on all channels but on recommendation from friends,
> colleagues or family. A book given as a present five times to best
> friends is a good example.
>
> 10. Slow Media are timeless: Slow Media are long-lived and appear
> fresh even after years or decades. They do not lose their quality over
> time but at best get some patina that can even enhance their value.
>
> 11. Slow Media are auratic: Slow Media emanate a special aura. They
> generate a feeling that the particular medium belongs to just that
> moment of the user’s life. Despite the fact that they are produced
> industrially or are partially based on industrial means of production,
> they are suggestive of being unique and point beyond themselves.
>
> 12. Slow Media are progressive not reactionary: Slow Media rely on
> their technological achievements and the network society’s way of
> life. It is because of the acceleration of multiple areas of life,
> that islands of deliberate slowness are made possible and essential
> for survival. Slow Media are not a contradiction to the speed and
> simultaneousness of Twitter, Blogs or Social Networks but are an
> attitude and a way of making use of them.
>
> 13. Slow Media focus on quality both in production and in reception of
> media content: Craftsmanship in cultural studies such as source
> criticism, classification and evaluation of sources of information are
> gaining importance with the increasing availability of information.
>
> 14. Slow Media ask for confidence and take their time to be credible.
> Behind Slow Media are real people. And you can feel that.
>
> Stockdorf and Bonn, Jan 2, 2010
>
> Benedikt Köhler
> Sabria David
> Jörg Blumtritt
>
> Confer also:
>
> • http://www.huffingtonpost.com/elissa-altman/move-over-slow-food-intro_b_367517.html
> • http://marketplace.publicradio.org/display/web/2009/11/17/pm-slow-media/
> • http://www.huffingtonpost.com/arianna-huffington/announcing-my-first-pick-_b_310544.html
> • http://blog.oup.com/2008/11/slow_blog/
> • http://www.shep.ca/?p=132
>
> &
>
> http://blog.stuttgarter-zeitung.de/?p=5122 (in German)
>
>
>
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