[ARENA] The Next Documenta Should Be Curated by an Artist

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Sexta-Feira, 5 de Setembro de 2008 - 11:13:06 WEST


         The Next Documenta Should Be Curated by an Artist * & The  
Next Omelet Should Be Made by a Carpenter







Jonah Freeman, Justin Lowe and Alexandre Singh,
Age Grade Set #3, custom pigment print; courtesy the artists and  
Ballroom Marfa.



Art Lies
Death of the Curator
Issue No. 59, Fall 2008

http://www.artlies.org

Death of the Curator: A Forensic Analysis of Curatorial Practice
Whenever there is a rupture in the traditional fabric of cultural  
production, it is not unusual to cry hypothetical wolf. The death of  
the author, the death of the object, the cyclical zombification of  
painting, the collapse of the power of the critic: aphorisms abound  
and rebound, eventually comforting us through inevitable reification.  
But what if we were to shelve the ivory ping-pong paddles and take  
up, for instance, full contact paintball? It would certainly liven up  
the debate—and the playing field. In this spirit, Art Lies, in  
conjunction with Guest Editorial Contributor Julieta Aranda, hereby  
announces the Death of the Curator. This is not a coup d'état, mind  
you, just a "modest proposal" of sorts. Why a forensic analysis… 
because of its clinical connotation—because of the folds, overlaps  
and sutures that complicate the distinction between current  
curatorial and artistic practices. — Anjali Gupta, Editor, Art Lies

Feature Contributors:
Julieta Aranda & Jens Hoffmann
Fia Backström
J.C. Fregnan
David Levi Strauss
Joao Ribas & Matt Sheridan Smith
Raimundas Malasauskas & Gabriel Lester
Naeem Mohaiemen
William Powhida
Martha Rosler
Nato Thompson & Michelle White
Anton Vidokle

With artwork by: Saul Alvarez, Julieta Aranda, Fia Backström, The  
Bruce High Quality Foundation, Stefan Brüggemann, Pablo Guardiola,  
Shannon Hays, Christoph Keller, Karen Mahffey, Michele Monseau,  
Yoshua Okon, Steve Powers, William Powhida, Martha Rosler and Wooloo  
Projects.

And…
Selected excerpts from The Next Documenta Should Be Curated by an Artist
[Jens Hoffmann, Editor, 2003]

Reviews Include:
Austin—Eric Zimmerman on Lawrence Rinder & Cliff Hengst
Houston—Kurt Mueller on Dario Robleto
Fort Worth—Noah Simblist on Kara Walker
Dallas—Michael Odom on Cory Arcangel + Lialina & Espenschied
Los Angeles—Tucker Neel on Phantom Sightings
New York—Christina Linden on Sharon Engelstein
San Antonio—Ben Judson on Oliver Lutz

Cover Image: Jonah Freeman, Justin Lowe and Alexandre Singh, Age  
Grade Set #3, custom pigment print; courtesy the artists and Ballroom  
Marfa

Upcoming Art Lies Events:
Issue No. 59 Launch at Ballroom Marfa
http://artlies.org/content.php?id=18&s=6

5th Annual Critics Lecture Series: Christopher Knight
http://artlies.org/content.php?id=14&s=8

PLUS: Join Art Lies at NADA in Miami, December 3-7
With daily performances by a host of surprise guests and contributors

Upcoming Issues:
Issue No. 60—Guest Editorial Contributor Aram Moshayedi, Curator, LA>  
Issue No. 61—Guest Editorial Contributor Stuart Horodner, Artistic  
Director,
Atlanta Contemporary Art Center

Art Lies is available in the United States at independent bookstores,  
museums and select Barnes & Noble locations and internationally via  
the Web at http://www.artlies.org.

Art Lies, a non-profit 501(c)(3) organization established in 1993,  
publishes a contemporary art quarterly that provides a forum for the  
critical exploration and examination of current art production,  
practice and theory. Art Lies is funded in part by The Andy Warhol  
Foundation for the Visual Arts, The Houston Endowment, The Brown  
Foundation, The Tocker Foundation, The National Endowment for the  
Arts, the Texas Commission on the Arts, the Houston Arts Alliance and  
our members.

Subscribe now at http://www.artlies.org

Art Lies | POB 1408, Houston, TX 77251-1408 | 832.366.1388 |  
info  artlies.org







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